{"id":2153,"date":"2012-12-12T10:23:59","date_gmt":"2012-12-12T15:23:59","guid":{"rendered":"http:\/\/guzelonlu.com\/blog\/?p=2153"},"modified":"2015-07-28T14:56:32","modified_gmt":"2015-07-28T12:56:32","slug":"anilar","status":"publish","type":"post","link":"https:\/\/guzelonlu.com\/blog\/anilar\/","title":{"rendered":"An\u0131lar"},"content":{"rendered":"

\"\"<\/a><\/p>\n

En sevdi\u011finiz rengin, hayat\u0131n\u0131z\u0131 de\u011fi\u015ftiren y\u00f6netmenlerin, hayvan e\u015fleni\u011finizin ya da sevgilinizin hayvan e\u015fleni\u011finin merak edildi\u011fi g\u00fcn\u00fcm\u00fcz anketleri beni \u00e7ok korkutur. Bu tarz sorularla kar\u015f\u0131la\u015ft\u0131\u011f\u0131mda arkam\u0131 d\u00f6n\u00fcp gitmek isterim. Oysa ge\u00e7en g\u00fcn yata\u011f\u0131mdayken “ke\u015fke birisi en b\u00fcy\u00fcl\u00fc m\u00fcze an\u0131m\u0131 \u00f6\u011frenmek istese” diye d\u00fc\u015f\u00fcnd\u00fcm. Bir s\u00fcredir bekliyorum ama maalesef kimse sormuyor. \u0130\u015fte bu y\u00fczden bu blog’da kendime bu soruyu y\u00f6neltmeye karar verdim: “Evet say\u0131n B.M. Acabo, l\u00fctfen (l\u00fctfen!) bize en b\u00fcy\u00fcl\u00fc m\u00fcze an\u0131n\u0131z\u0131 anlat\u0131r m\u0131s\u0131n\u0131z?”<\/p>\n

Te\u015fekk\u00fcrler! Elbette anlat\u0131r\u0131m. Birka\u00e7 sene evvel bir arkada\u015f\u0131mla Paris’e gittik. Arkada\u015f\u0131m\u0131n \u015fehre ilk gidi\u015fi oldu\u011fundan klasik bir turist turu planlam\u0131\u015ft\u0131. Ben ise daha \u00e7ok aylakl\u0131k yapma pe\u015findeydim. Giderken yan\u0131mda Julian Barnes’\u0131n Medusa’n\u0131n Sal\u0131<\/em><\/a> ile ilgili g\u00fczel makalesini de g\u00f6t\u00fcrm\u00fc\u015ft\u00fcm. Niyetim, Louvre’a u\u011fray\u0131p tablonun kar\u015f\u0131s\u0131nda makaleyi okumakt\u0131. Arkada\u015f\u0131m\u0131n Louvre M\u00fczesi’nde ge\u00e7irdi\u011fi g\u00fcn\u00fcn ak\u015fam\u0131n\u0131n bu plan\u0131m i\u00e7in ideal zaman oldu\u011funa karar verdim. Onunla m\u00fcze kapan\u0131\u015f saatinde tablonun \u00f6n\u00fcnde bulu\u015fmak i\u00e7in s\u00f6zle\u015ftik. Ben on dokuz otuz sular\u0131nda mekana girdim. \u00dcst kata \u00e7\u0131k\u0131p tablonun ressam\u0131 Gericault’nun Medusa’n\u0131n Sal\u0131<\/em>‘ndan \u00f6nce benzer temay\u0131 i\u015fledi\u011fi tablolar\u0131 inceledim. Makalede bahsedildiklerini bildi\u011fimden foto\u011fraflar\u0131n\u0131 \u00e7ektim. Ard\u0131ndan a\u015fa\u011f\u0131 inip dev tablonun kar\u015f\u0131s\u0131ndaki banka yerle\u015ftim ve k\u00fc\u00e7\u00fck ka\u011f\u0131tlara bast\u0131\u011f\u0131m yaz\u0131y\u0131 okumaya ba\u015flad\u0131m.<\/p>\n

<\/p>\n

Bir s\u00fcre sonra yan\u0131ma orta ya\u015fl\u0131 bir adam geldi, oturdu. M\u00fczelerde s\u0131k s\u0131k kar\u015f\u0131la\u015f\u0131labilecek t\u00fcrden amat\u00f6r bir ressamd\u0131. Zaman\u0131n\u0131n bir k\u0131sm\u0131n\u0131 benim ne yapt\u0131\u011f\u0131m\u0131 anlamaya \u00e7al\u0131\u015farak ge\u00e7irdi. Sonra bu u\u011fra\u015f\u0131ndan vazge\u00e7ip kendi i\u015fine y\u00f6neldi ve yumru\u011fu yana\u011f\u0131ndaki “biz bu hale nas\u0131l d\u00fc\u015ft\u00fck” adam\u0131n\u0131 \u00e7izmeye ba\u015flad\u0131. Farkl\u0131 sebeplerden tabloyu dikkatlice inceleyen iki insan olarak, birbirimize asgari ilgi g\u00f6stererek orada sessizce oturmaya devam ettik.<\/p>\n

B\u00f6ylesi b\u00fcy\u00fck m\u00fczelerin ak\u015fam saatlerinde hi\u00e7 bulundunuz mu bilmiyorum. Kapanma saati yakla\u015ft\u0131k\u00e7a t\u00fcm ziyaret\u00e7ilerde b\u00fcy\u00fck bir panik ba\u015flar. “\u015e\u00fck\u00fcr \u00e7\u0131k\u0131yoruz” d\u00fc\u015f\u00fcncesinden\/Neler ka\u00e7\u0131rd\u0131klar\u0131n\u0131 bilebilmek i\u00e7in\/Ac\u0131kt\u0131klar\u0131ndan\/Art\u0131k iyice canlar\u0131 s\u0131k\u0131ld\u0131\u011f\u0131ndan herkes ko\u015far ad\u0131m bir yerlere (\u00e7o\u011funlukla \u00e7\u0131k\u0131\u015fa) do\u011fru ilerler.<\/p>\n

Yar\u0131 yatm\u0131\u015f bir \u015fekilde makalesini okuyup tabloyu inceleyen ben ve en az benim kadar aylak oldu\u011funu d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm kom\u015fum i\u015fte bu tantanan\u0131n ortas\u0131ndaki umursamazlard\u0131k. Biz b\u00f6yle kendi halimizde tak\u0131l\u0131rken hedefe kitlenmi\u015f kalabal\u0131k \u00f6n\u00fcm\u00fczden ve arkam\u0131zdan ge\u00e7ip duruyordu. Bir zaman sonra bu tela\u015fl\u0131 kalabal\u0131\u011f\u0131n dikkatini \u00e7ektik. Baz\u0131 insanlar h\u0131zl\u0131 h\u0131zl\u0131 ilerlerken birden bizi o halde g\u00f6r\u00fcnce durup \u00f6nce bize sonra da p\u00fcr dikkat bakt\u0131\u011f\u0131m\u0131z tabloya bakmaya ba\u015flad\u0131lar.<\/p>\n

Sonunda \u00f6yle bir an geldi ki Medusa’n\u0131n Sal\u0131<\/em>‘n\u0131n \u00f6n\u00fcnde tabloyu inceleyen elliye yak\u0131n insan oldu\u011funu fark ettim. Bir d\u00fc\u015f\u00fcnsenize t\u00fcm binalar\u0131ndaki t\u00fcm katlarda ve o katlardaki t\u00fcm salonlarda ayn\u0131 y\u00f6ne do\u011fru ivmeli bir hareket varken tek bir salonda herkes m\u00fcze ritueline ayk\u0131r\u0131 bir \u015fekilde \u00f6ylece duruyordu. O kadar g\u00fczeldi ki bazen ke\u015fke b\u00fct\u00fcn salonlar\u0131n tam o anda \u00e7ekilmi\u015f foto\u011fraflar\u0131 elimde olsayd\u0131 diye d\u00fc\u015f\u00fcn\u00fcr\u00fcm.<\/p>\n

\u0130\u015fte benim bir m\u00fczede ge\u00e7irdi\u011fim en b\u00fcy\u00fcl\u00fc an budur. Size daha \u00f6nce de s\u00f6ylemi\u015ftim. Y\u0131lsonu yakla\u015ft\u0131\u011f\u0131nda eski y\u0131l\/yeni y\u0131l i\u00e7 hesapla\u015fmalar\u0131 yapmam. Ama gelecek seneyle ilgili tek bir dilek hakk\u0131m olsa bana bu t\u00fcr anlar\u0131 s\u0131k s\u0131k ya\u015fatmas\u0131n\u0131 dilerdim.<\/p>\n

Sevgilerle,<\/p>\n

B. M. Acabo<\/p>\n

* Yukar\u0131daki foto\u011fraf: Thomas Struth – Louvre 4, Paris, 1989. Varl\u0131\u011f\u0131n\u0131 unutmu\u015fum, kar\u015f\u0131la\u015fmam bana bu yaz\u0131y\u0131 yazd\u0131rd\u0131. Te\u015fekk\u00fcrler foto\u011fraf!<\/span><\/p>\n

[Foto\u011fraf\u0131n telif hakk\u0131 Thomas Struth’a aittir ve G\u00fczelonlu’da bilgilendirme ama\u00e7l\u0131 olarak kullan\u0131lm\u0131\u015ft\u0131r.]<\/small><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

En sevdi\u011finiz rengin, hayat\u0131n\u0131z\u0131 de\u011fi\u015ftiren y\u00f6netmenlerin, hayvan e\u015fleni\u011finizin ya da sevgilinizin hayvan e\u015fleni\u011finin merak edildi\u011fi g\u00fcn\u00fcm\u00fcz anketleri beni \u00e7ok korkutur. Bu tarz sorularla kar\u015f\u0131la\u015ft\u0131\u011f\u0131mda arkam\u0131 d\u00f6n\u00fcp gitmek isterim. Oysa ge\u00e7en g\u00fcn yata\u011f\u0131mdayken “ke\u015fke birisi en b\u00fcy\u00fcl\u00fc m\u00fcze an\u0131m\u0131 \u00f6\u011frenmek istese” diye d\u00fc\u015f\u00fcnd\u00fcm. Bir s\u00fcredir bekliyorum ama maalesef kimse sormuyor. \u0130\u015fte bu y\u00fczden bu blog’da kendime bu soruyu y\u00f6neltmeye karar verdim: “Evet say\u0131n B.M. Acabo, l\u00fctfen (l\u00fctfen!) bize en b\u00fcy\u00fcl\u00fc m\u00fcze an\u0131n\u0131z\u0131 anlat\u0131r m\u0131s\u0131n\u0131z?” Te\u015fekk\u00fcrler! Elbette anlat\u0131r\u0131m. Birka\u00e7 sene evvel bir arkada\u015f\u0131mla Paris’e gittik. Arkada\u015f\u0131m\u0131n \u015fehre ilk gidi\u015fi oldu\u011fundan klasik bir turist turu planlam\u0131\u015ft\u0131. Ben ise daha \u00e7ok aylakl\u0131k yapma pe\u015findeydim. Giderken yan\u0131mda Julian Barnes’\u0131n Medusa’n\u0131n Sal\u0131 ile ilgili g\u00fczel makalesini de g\u00f6t\u00fcrm\u00fc\u015ft\u00fcm. Niyetim, Louvre’a u\u011fray\u0131p tablonun kar\u015f\u0131s\u0131nda makaleyi okumakt\u0131. Arkada\u015f\u0131m\u0131n Louvre M\u00fczesi’nde ge\u00e7irdi\u011fi g\u00fcn\u00fcn ak\u015fam\u0131n\u0131n bu plan\u0131m i\u00e7in ideal zaman oldu\u011funa karar verdim. Onunla m\u00fcze kapan\u0131\u015f saatinde tablonun \u00f6n\u00fcnde bulu\u015fmak i\u00e7in s\u00f6zle\u015ftik. Ben on dokuz otuz sular\u0131nda mekana girdim. \u00dcst kata \u00e7\u0131k\u0131p tablonun ressam\u0131 Gericault’nun Medusa’n\u0131n Sal\u0131‘ndan \u00f6nce benzer temay\u0131 i\u015fledi\u011fi tablolar\u0131 inceledim. Makalede bahsedildiklerini bildi\u011fimden foto\u011fraflar\u0131n\u0131 \u00e7ektim. Ard\u0131ndan a\u015fa\u011f\u0131 inip dev tablonun kar\u015f\u0131s\u0131ndaki banka yerle\u015ftim ve k\u00fc\u00e7\u00fck ka\u011f\u0131tlara bast\u0131\u011f\u0131m yaz\u0131y\u0131 okumaya ba\u015flad\u0131m.<\/p>\n","protected":false},"author":3,"featured_media":2154,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[209],"tags":[376,694,373,375,377,7,374],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts\/2153"}],"collection":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/comments?post=2153"}],"version-history":[{"count":3,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts\/2153\/revisions"}],"predecessor-version":[{"id":3591,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts\/2153\/revisions\/3591"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/media\/2154"}],"wp:attachment":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/media?parent=2153"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/categories?post=2153"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/tags?post=2153"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}