{"id":218,"date":"2009-10-08T02:02:58","date_gmt":"2009-10-08T07:02:58","guid":{"rendered":"http:\/\/guzelonlu.com\/blog\/?p=218"},"modified":"2015-07-10T14:32:51","modified_gmt":"2015-07-10T12:32:51","slug":"still-alive","status":"publish","type":"post","link":"https:\/\/guzelonlu.com\/blog\/still-alive\/","title":{"rendered":"still alive"},"content":{"rendered":"<p>Ge\u00e7en Pazartesi Sarkis&#8217;in \u0130stanbul Modern&#8217;deki sergisini g\u00f6rmek \u00fczere evden \u00e7\u0131kt\u0131m. Mekana ula\u015ft\u0131\u011f\u0131mda beni bir s\u00fcrpriz bekliyordu: M\u00fcze kapal\u0131yd\u0131. Pek \u00e7ok m\u00fczenin pazartesileri kapal\u0131 oldu\u011fu bilgisini bir kere daha hat\u0131rlay\u0131p bir kenara not etmekte fayda oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum. Bunun \u00fczerine normalde gitme niyetimin olmad\u0131\u011f\u0131 fakat Y\u00fcksel Arslan&#8217;\u0131n \u00e7ok say\u0131da eserinin sergilendi\u011fini duyunca fikrimi de\u011fi\u015ftirdi\u011fim Bienal alan\u0131na y\u00f6neldim ve g\u00fcn\u00fc orada ge\u00e7irdim.<\/p>\n<p>K\u00f6t\u00fc haber: Y\u00fcksel Arslan mevzusunda da yan\u0131lm\u0131\u015f\u0131m. Bienal&#8217;de sanat\u00e7\u0131n\u0131n sadece 10 civar\u0131nda \u00e7al\u0131\u015fmas\u0131 vard\u0131. Bir \u00e7o\u011funu da daha \u00f6nce g\u00f6rm\u00fc\u015ft\u00fcm. Esas Arslan retrospektifi Santral&#8217;de a\u00e7\u0131lm\u0131\u015f. Bunu fark etmemi de Bienal&#8217;den \u00e7\u0131kt\u0131ktan sonra g\u00f6rd\u00fc\u011f\u00fcm duvara yap\u0131\u015ft\u0131r\u0131lm\u0131\u015f bir afi\u015f sa\u011flad\u0131.<\/p>\n<p>Bienal ise d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm gibiydi. O y\u00fczden bu konu hakk\u0131nda uzun uzun konu\u015fma niyetinde de\u011filim. Size ortamda ilgimi cezbeden tek \u015feyden bahsedece\u011fim.<!--more--><\/p>\n<p style=\"text-align: left;\">Cengiz \u00c7ekil, muhtemelen benim cehaletim dolay\u0131s\u0131yla ismini daha \u00f6nce duymad\u0131\u011f\u0131m bir isimdi. \u0130lgimi \u00e7ekmesinin sebebi ise &#8220;Bug\u00fcn de ya\u015f\u0131yorum&#8221; isimli \u00e7al\u0131\u015fmas\u0131 oldu. Sanat\u00e7\u0131, 1976 tarihli &#8220;Bug\u00fcn de ya\u015f\u0131yorum&#8221;&#8216;da \u00fclkenin o d\u00f6nemdeki kar\u0131\u015f\u0131k durumunu g\u00fcnl\u00fck format\u0131ndaki defterine sadece &#8220;Bug\u00fcn de ya\u015f\u0131yorum&#8221; diyerek yans\u0131tm\u0131\u015f.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-219\" style=\"margin-top: 4px; margin-bottom: 4px;\" title=\"bugun\" src=\"https:\/\/guzelonlu.com\/blog\/wp-content\/uploads\/2009\/10\/bugun-300x224.jpg\" alt=\"bugun\" width=\"300\" height=\"224\" \/>Bu eserin benim ilgimi \u00e7ekmesinin sebebi ise defteri g\u00f6r\u00fcr g\u00f6rmez akl\u0131ma <a href=\"http:\/\/twitter.com\/on_kawara\" target=\"_blank\">On Kawara<\/a> ve onun &#8220;I am still alive&#8221; serisinin gelmesiydi. Kawara, 1970&#8217;lerin ba\u015f\u0131ndan itibaren gitti\u011fi de\u011fi\u015fik \u015fehirlerden arkada\u015flar\u0131na &#8220;I am still alive&#8221; yazan telgraflar \u00e7ekmi\u015fti. Cevap beklenmeyen bu telgraflarla Kawara, sanat\u0131n\u0131n ilk y\u0131llar\u0131nda etkilendi\u011fi Sartre&#8217;a da selam \u00e7akarak varolu\u015funu vurguluyordu.<\/p>\n<p style=\"text-align: left;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-220\" title=\"on-kawara-alive\" src=\"https:\/\/guzelonlu.com\/blog\/wp-content\/uploads\/2009\/10\/on-kawara-alive-300x215.jpg\" alt=\"on-kawara-alive\" width=\"300\" height=\"215\" srcset=\"https:\/\/guzelonlu.com\/blog\/wp-content\/uploads\/2009\/10\/on-kawara-alive-300x215.jpg 300w, https:\/\/guzelonlu.com\/blog\/wp-content\/uploads\/2009\/10\/on-kawara-alive.jpg 846w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n\u0130leti\u015fimin \u015fu anki kadar kolay olmad\u0131\u011f\u0131 y\u0131llarda, farkl\u0131 lokasyonlardaki iki sanat\u00e7\u0131n\u0131n, farkl\u0131 sebeplerle benzer eserler ortaya \u00e7\u0131kartmas\u0131n\u0131 ilgin\u00e7 buldum. Bienal&#8217;in akl\u0131ma yeniden On Kawara&#8217;y\u0131 getirmi\u015f olmas\u0131 ise beklemedi\u011fim bir s\u00fcrpriz oldu. Ya\u015fam b\u00f6yle ufak tefek s\u00fcrprizler de yapmasa hi\u00e7 \u00e7ekilmeyecek de\u011fil mi?<\/p>\n<h5><span style=\"color: #999999;\">[Kullan\u0131lan eser g\u00f6r\u00fcnt\u00fclerinin telif haklar\u0131 Cengiz \u00c7ekil ve On Kawara&#8217;ya aittir. G\u00fczelonlu&#8217;da bilgilendirme ama\u00e7l\u0131 kullan\u0131lm\u0131\u015flard\u0131r.]<\/span><\/h5>\n","protected":false},"excerpt":{"rendered":"<p>Ge\u00e7en Pazartesi Sarkis&#8217;in \u0130stanbul Modern&#8217;deki sergisini g\u00f6rmek \u00fczere evden \u00e7\u0131kt\u0131m. Mekana ula\u015ft\u0131\u011f\u0131mda beni bir s\u00fcrpriz bekliyordu: M\u00fcze kapal\u0131yd\u0131. Pek \u00e7ok m\u00fczenin pazartesileri kapal\u0131 oldu\u011fu bilgisini bir kere daha hat\u0131rlay\u0131p bir kenara not etmekte fayda oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum. Bunun \u00fczerine normalde gitme niyetimin olmad\u0131\u011f\u0131 fakat Y\u00fcksel Arslan&#8217;\u0131n \u00e7ok say\u0131da eserinin sergilendi\u011fini duyunca fikrimi de\u011fi\u015ftirdi\u011fim Bienal alan\u0131na y\u00f6neldim ve g\u00fcn\u00fc orada ge\u00e7irdim. K\u00f6t\u00fc haber: Y\u00fcksel Arslan mevzusunda da yan\u0131lm\u0131\u015f\u0131m. Bienal&#8217;de sanat\u00e7\u0131n\u0131n sadece 10 civar\u0131nda \u00e7al\u0131\u015fmas\u0131 vard\u0131. Bir \u00e7o\u011funu da daha \u00f6nce g\u00f6rm\u00fc\u015ft\u00fcm. Esas Arslan retrospektifi Santral&#8217;de a\u00e7\u0131lm\u0131\u015f. Bunu fark etmemi de Bienal&#8217;den \u00e7\u0131kt\u0131ktan sonra g\u00f6rd\u00fc\u011f\u00fcm duvara yap\u0131\u015ft\u0131r\u0131lm\u0131\u015f bir afi\u015f sa\u011flad\u0131. Bienal ise d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm gibiydi. O y\u00fczden bu konu hakk\u0131nda uzun uzun konu\u015fma niyetinde de\u011filim. Size ortamda ilgimi cezbeden tek \u015feyden bahsedece\u011fim.<\/p>\n","protected":false},"author":3,"featured_media":219,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49,16],"tags":[76,72,75,73,74],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts\/218"}],"collection":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/comments?post=218"}],"version-history":[{"count":2,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts\/218\/revisions"}],"predecessor-version":[{"id":3690,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts\/218\/revisions\/3690"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/media\/219"}],"wp:attachment":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/media?parent=218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/categories?post=218"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/tags?post=218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}