{"id":2615,"date":"2013-10-01T09:59:34","date_gmt":"2013-10-01T14:59:34","guid":{"rendered":"http:\/\/guzelonlu.com\/blog\/?p=2615"},"modified":"2015-07-10T14:25:53","modified_gmt":"2015-07-10T12:25:53","slug":"bir-kez-daha-goya","status":"publish","type":"post","link":"https:\/\/guzelonlu.com\/blog\/bir-kez-daha-goya\/","title":{"rendered":"Bir kez daha Goya"},"content":{"rendered":"

Art\u0131k iyice ya\u015fland\u0131\u011f\u0131mdan m\u0131 yoksa \u00e7al\u0131\u015fmaktan s\u0131tk\u0131m s\u0131yr\u0131ld\u0131\u011f\u0131ndan m\u0131 bilemiyorum ama ne Internet’te ne kitaplar\u0131m\u0131n aras\u0131nda yeterince vakit ge\u00e7irebiliyorum. Son bir ayda iki b\u00fcy\u00fck Internet ba\u015far\u0131m var.<\/p>\n

    \n
  1. Jonathan Franzen’\u0131n \u00e7ok konu\u015fulan makalesini<\/a> yay\u0131mland\u0131ktan \u00fc\u00e7 hafta sonra sonunda okuyabildim. Ge\u00e7 kalm\u0131\u015f olsam da tebrik etmek isteyenleriniz varsa kabul ederim \u00e7\u00fcnk\u00fc \u00f6nce konu\u015fulanlar\u0131 duymu\u015f sonra makaleyi okumu\u015f biri olarak konu\u015fanlar\u0131n b\u00fcy\u00fck \u00e7o\u011funlu\u011funun Franzen’\u0131n uzun ve yeni bir \u015fey s\u00f6ylemeyen makalesini bitiremediklerine emin gibiyim.<\/li>\n
  2. \u0130nternet’i okumay\u0131p resimlerine bakt\u0131\u011f\u0131m anlarda bug\u00fcn baz\u0131lar\u0131n\u0131 sizinle payla\u015faca\u011f\u0131m \u00e7ok g\u00fczel foto\u011fraflar buldum.<\/li>\n<\/ol>\n

    Sizlerle daha \u00f6nce “m\u00fcze ziyaret\u00e7ileri<\/a>” ba\u015fl\u0131kl\u0131 yaz\u0131da sanat\u0131 takdir eden insanlar\u0131n foto\u011fraflar\u0131n\u0131 payla\u015fm\u0131\u015ft\u0131m. Bu yaz\u0131dan sonra da tak\u0131nt\u0131l\u0131 bir \u015fekilde bu foto\u011fraflardan aramaya devam ettim ve d\u00fcn gece fark ettim ki bu sayede elimde Goya tablolar\u0131yla ilgili \u00e7ok say\u0131da foto\u011fraf birikmi\u015f. Bug\u00fcn bunlar\u0131n en ilgin\u00e7lerini sizle payla\u015fmak istiyorum \u00e7\u00fcnk\u00fc \u00e7ok g\u00fczeller ve neden payla\u015fmayay\u0131m ki?<\/p>\n

    \u0130lk foto\u011fraf\u0131, Martine Franck<\/a>‘\u0131n 1993 y\u0131l\u0131nda Prado M\u00fczesi’nde \u00e7ekti\u011fi bir dizi foto\u011fraf\u0131n aras\u0131nda buldum. Goya’n\u0131n 3 May\u0131s 1808<\/em><\/a> adl\u0131 tablosunu inceleyen ziyaret\u00e7i, dikkatini Frans\u0131zlar taraf\u0131ndan infaz edilmi\u015f \u0130spanyol direni\u015f\u00e7ilerine vermi\u015f. Benim bu tablodaki en sevdi\u011fim detay merkeze yerle\u015ftirilmi\u015f beyaz g\u00f6mlekli direni\u015f\u00e7inin sol kolunun alt\u0131ndaki korkuyla \u00f6l\u00fcm\u00fc bekleyen adamd\u0131r (sevmek i\u00e7in garip bir detay oldu\u011funun fark\u0131nday\u0131m).<\/p>\n

    \"martine<\/a><\/p>\n

    Elliott Erwitt’in 1995 y\u0131l\u0131nda gene Prado M\u00fczesi’nde \u00e7ekti\u011fi Giyinik Maya hemen yan\u0131nda as\u0131l\u0131 \u00c7\u0131plak Maya ve izleyicileri foto\u011fraf\u0131 i\u00e7inde bar\u0131nd\u0131rd\u0131\u011f\u0131 mizah dolay\u0131s\u0131yla tan\u0131n\u0131r. Oysa ben foto\u011fraftaki esteti\u011fi mizah\u0131ndan daha \u00e7ok seviyorum. Bu arada Jacob Cohen isimli giyim markas\u0131 Elliott Erwitt’in bu foto\u011fraf\u0131yla birlikte birka\u00e7 me\u015fhur eserini daha uyarlayarak yeni kampanyalar\u0131nda kullanm\u0131\u015f. A\u011fz\u0131m\u0131n sa\u011f kenar\u0131yla g\u00fcld\u00fcm, isterseniz siz de \u015furadan bak\u0131p<\/a> g\u00fclebilirsiniz.<\/p>\n

    \"elliott<\/a><\/p>\n

    Elliott Erwitt’in bir di\u011fer Maya fotosunu buraya ekleyeyim ki kaybolmas\u0131n.<\/p>\n

    \"elliott<\/a><\/p>\n

    A\u015fa\u011f\u0131da foto\u011fraf\u0131 (yan\u0131lm\u0131yorsam) Harry Gruyaert 1993 y\u0131l\u0131nda Prado M\u00fczesi’nde \u00e7ekmi\u015f.<\/p>\n

    Aran\u0131zda Prado M\u00fczesi’ni gezeniniz olmu\u015f muydu? Prado M\u00fczesi’nin en de\u011fer verilmeyen k\u00f6\u015fesi oldu\u011funa d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm Goya’n\u0131n hal\u0131 desenlerinin oldu\u011fu en \u00fcst kattaki bu foto\u011frafa rastlay\u0131nca sevindim. Ben gen\u00e7lik zamanlar\u0131ym\u0131\u015f, hen\u00fcz amat\u00f6rm\u00fc\u015f, zaten pek derin de de\u011filmi\u015f gibi konulara hi\u00e7 tak\u0131lmadan ressam\u0131n hal\u0131 desenlerini pek severim. Tarihin bu kadar naif \u00e7izimleri g\u00fcn\u00fcm\u00fcze ula\u015ft\u0131racak kadar merhametli olmas\u0131 ho\u015fuma gidiyor san\u0131r\u0131m.<\/p>\n

    Konusu a\u00e7\u0131lm\u0131\u015fken soray\u0131m: Y\u0131llard\u0131r bir sanat tarih\u00e7isi Goya’n\u0131n hal\u0131 desenleriyle Jean-Baptiste Oudry’nin hal\u0131 desenlerini kar\u015f\u0131la\u015ft\u0131ran bir \u00e7al\u0131\u015fma yapm\u0131\u015f m\u0131d\u0131r acaba diye d\u00fc\u015f\u00fcn\u00fcp dururum (her gece yata\u011f\u0131ma uzand\u0131\u011f\u0131mda on dakika kadar). Bilginiz var m\u0131? B\u00f6yle bir \u00e7al\u0131\u015fmadan \u00e7ok ilgin\u00e7 sonu\u00e7lar \u00e7\u0131kaca\u011f\u0131na eminim.<\/p>\n

    \"hg<\/a><\/p>\n

    Bir sonraki foto\u011fraf\u0131n hik\u00e2yesi \u00fcz\u00fcc\u00fc. Budape\u015fteli bir Yahudi olan Baron M\u00f3r Lip\u00f3t Herzog’un aralar\u0131nda Goya ve El Greco’nun da bulundu\u011fu harika bir klasik tablo koleksiyonu varm\u0131\u015f. Herzog 1934 y\u0131l\u0131nda \u00f6lm\u00fc\u015f. Koleksiyonun miras kald\u0131\u011f\u0131 ailesinin kaderini de tahmin edebiliyorsunuzdur. 1944 y\u0131l\u0131nda, Naziler, Herzog’un bu koleksiyonunu Budape\u015fte yak\u0131nlar\u0131ndaki Budafok’ta ele ge\u00e7irmi\u015fler. Foto\u011frafta Goya tablosuna bakarken be\u011fenilerini gizleyemeyen nazi polislerini g\u00f6r\u00fcyorsunuz. Stendhal sendromuna yakaland\u0131 yakalanacaklar gibi bir halleri yok mu?<\/p>\n

    \"goya<\/a><\/p>\n

    1957 y\u0131l\u0131nda evlerinde yeni y\u0131l partisi veren tiyatro yap\u0131mc\u0131s\u0131 Gilbert Miller, sevgili e\u015fi Kitty Miller ve arkada\u015flar\u0131 Alfred Eisenstaedt taraf\u0131ndan foto\u011fraflanm\u0131\u015f. D\u00f6rtl\u00fcn\u00fcn umursar g\u00f6r\u00fcnmedikleri duvardaki tablo Goya’n\u0131n Don Manuel’i. Kitty’nin babas\u0131 \u00f6l\u00fcrken Don Manuel’i k\u0131z\u0131 ve Metropolitan Museum of Art’a b\u0131rakm\u0131\u015f. O g\u00fcnlerde tablo y\u0131l\u0131n alt\u0131 ay\u0131 Met’te, alt\u0131 ay\u0131 ise Kitty’de kal\u0131yormu\u015f.<\/p>\n

    Bu foto\u011frafa “duvarda bir Goya varm\u0131\u015f yokmu\u015f umrumda de\u011filken kankalar\u0131mla \u015fampanya yudumlama keyfi” ad\u0131n\u0131 koydum. Ara s\u0131ra bak\u0131p i\u00e7 ge\u00e7iriyorum.<\/p>\n

    \"gilbert<\/a><\/p>\n

    B\u00fcy\u00fck finali Martine Franck’la yapaca\u011f\u0131m. Bana kal\u0131rsa Franck’\u0131n 1993’teki Madrid seyahatinde \u00e7ekti\u011fi en ba\u015far\u0131l\u0131 foto\u011fraf e\u015fi Henri Cartier-Bresson’un Goya’n\u0131n Kara Resimleri’nden La romer\u00eda de San Isidro<\/em>‘yu inceledi\u011fi bu \u00e7al\u0131\u015fmas\u0131. Bu eserin de literat\u00fcr\u00fcmde bir ismi var elbette: “Takdir etti\u011fim adam, takdir etti\u011fim di\u011fer adam\u0131 takdir ederken”<\/p>\n

    \"henri<\/a>Vedalardan nefret ederim! O y\u00fczden l\u00fctfen u\u011furlamaya gelmeyin, ben sessizce \u00e7\u0131kar\u0131m. \u00c7\u0131t…<\/p>\n

    [Foto\u011fraflar\u0131n telif hakk\u0131 foto\u011fraf\u0131 \u00e7eken sanat\u00e7\u0131ya aittir. G\u00fczelonlu’da tan\u0131t\u0131m ama\u00e7l\u0131 kullan\u0131lm\u0131\u015ft\u0131r.]<\/small><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

    Art\u0131k iyice ya\u015fland\u0131\u011f\u0131mdan m\u0131 yoksa \u00e7al\u0131\u015fmaktan s\u0131tk\u0131m s\u0131yr\u0131ld\u0131\u011f\u0131ndan m\u0131 bilemiyorum ama ne Internet’te ne kitaplar\u0131m\u0131n aras\u0131nda yeterince vakit ge\u00e7irebiliyorum. Son bir ayda iki b\u00fcy\u00fck Internet ba\u015far\u0131m var. Jonathan Franzen’\u0131n \u00e7ok konu\u015fulan makalesini yay\u0131mland\u0131ktan \u00fc\u00e7 hafta sonra sonunda okuyabildim. Ge\u00e7 kalm\u0131\u015f olsam da tebrik etmek isteyenleriniz varsa kabul ederim \u00e7\u00fcnk\u00fc \u00f6nce konu\u015fulanlar\u0131 duymu\u015f sonra makaleyi okumu\u015f biri olarak konu\u015fanlar\u0131n b\u00fcy\u00fck \u00e7o\u011funlu\u011funun Franzen’\u0131n uzun ve yeni bir \u015fey s\u00f6ylemeyen makalesini bitiremediklerine emin gibiyim. \u0130nternet’i okumay\u0131p resimlerine bakt\u0131\u011f\u0131m anlarda bug\u00fcn baz\u0131lar\u0131n\u0131 sizinle payla\u015faca\u011f\u0131m \u00e7ok g\u00fczel foto\u011fraflar buldum. Sizlerle daha \u00f6nce “m\u00fcze ziyaret\u00e7ileri” ba\u015fl\u0131kl\u0131 yaz\u0131da sanat\u0131 takdir eden insanlar\u0131n foto\u011fraflar\u0131n\u0131 payla\u015fm\u0131\u015ft\u0131m. Bu yaz\u0131dan sonra da tak\u0131nt\u0131l\u0131 bir \u015fekilde bu foto\u011fraflardan aramaya devam ettim ve d\u00fcn gece fark ettim ki bu sayede elimde Goya tablolar\u0131yla ilgili \u00e7ok say\u0131da foto\u011fraf birikmi\u015f. Bug\u00fcn bunlar\u0131n en ilgin\u00e7lerini sizle payla\u015fmak istiyorum \u00e7\u00fcnk\u00fc \u00e7ok g\u00fczeller ve neden payla\u015fmayay\u0131m ki? \u0130lk foto\u011fraf\u0131, Martine Franck‘\u0131n 1993 y\u0131l\u0131nda Prado M\u00fczesi’nde \u00e7ekti\u011fi bir dizi foto\u011fraf\u0131n aras\u0131nda buldum. Goya’n\u0131n 3 May\u0131s 1808 adl\u0131 tablosunu inceleyen ziyaret\u00e7i, dikkatini Frans\u0131zlar taraf\u0131ndan infaz edilmi\u015f \u0130spanyol direni\u015f\u00e7ilerine vermi\u015f. Benim bu tablodaki en sevdi\u011fim detay merkeze yerle\u015ftirilmi\u015f beyaz g\u00f6mlekli direni\u015f\u00e7inin sol kolunun alt\u0131ndaki korkuyla \u00f6l\u00fcm\u00fc bekleyen adamd\u0131r (sevmek i\u00e7in garip bir detay oldu\u011funun fark\u0131nday\u0131m).<\/p>\n","protected":false},"author":3,"featured_media":2627,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[518,486,519,480,289,526,520,12,522,528,521,523,439,527,515,525,524,22,517,516],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts\/2615"}],"collection":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/comments?post=2615"}],"version-history":[{"count":2,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts\/2615\/revisions"}],"predecessor-version":[{"id":3572,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts\/2615\/revisions\/3572"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/media\/2627"}],"wp:attachment":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/media?parent=2615"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/categories?post=2615"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/tags?post=2615"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}