{"id":2634,"date":"2013-10-27T12:52:30","date_gmt":"2013-10-27T17:52:30","guid":{"rendered":"http:\/\/guzelonlu.com\/blog\/?p=2634"},"modified":"2015-07-10T14:19:11","modified_gmt":"2015-07-10T12:19:11","slug":"lisa-orada-misin-benim-bahar","status":"publish","type":"post","link":"https:\/\/guzelonlu.com\/blog\/lisa-orada-misin-benim-bahar\/","title":{"rendered":"Lisa orada m\u0131s\u0131n? Benim, Bahar."},"content":{"rendered":"

\"elliott<\/a><\/p>\n

Louvre M\u00fczesi’ne ilk kez gitti\u011fimde mekan bug\u00fcnk\u00fc haline g\u00f6re daha sakindi. Gene de o g\u00fcnlerde \u015fimdiyi \u00f6ng\u00f6rebilecek vizyona sahip olmad\u0131\u011f\u0131mdan “bir m\u00fcze bundan daha kalabal\u0131k olabilir mi?” diye d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm\u00fc hat\u0131rl\u0131yorum. Y\u0131llar i\u00e7inde yolum Louvre’a birka\u00e7 kere daha d\u00fc\u015ft\u00fc ve ne kadar \u015fansl\u0131y\u0131m ki \u00e7ok daha kalabal\u0131k olabilece\u011fini g\u00f6rerek b\u00fcy\u00fck yan\u0131lg\u0131mdan kurtuldum.<\/p>\n

Siz de fark ettiniz mi bilmiyorum, b\u00fcy\u00fck m\u00fczelerin kendine ait bir ritmi vard\u0131r. Sanki kocaman sanal bir r\u00fczgar t\u00fcm insanlar\u0131 ba\u015flang\u0131\u00e7 noktas\u0131ndan ayn\u0131 y\u00f6ne do\u011fru savuruyor gibidir. \u0130tiraz etmeye ya da ba\u015fka bir y\u00f6ne sapmaya \u00e7al\u0131\u015fsan\u0131z da bir noktadan sonra pes ederek kalabal\u0131kla birlikte akmaya ba\u015flars\u0131n\u0131z ve sonunda illa ki kendinizi o m\u00fczenin y\u0131ld\u0131z sanat eserinin kar\u015f\u0131s\u0131nda bulursunuz. \u00d6rne\u011fin Vatikan’da t\u00fcm yollar Sistine \u015eapeli’ne \u00e7\u0131kar. Oraya giden ziyaret\u00e7ilerin \u00e7o\u011funun da tek bir amac\u0131 vard\u0131r: Sistine \u015eapeli’ne ula\u015fmak. M\u00fczede hedeflerine do\u011fru y\u00fcr\u00fcrler ve bu s\u0131rada da ilgilerini sunulmu\u015f di\u011fer eserlerin oldu\u011fu odalardan mecburen ge\u00e7mek zorunda kal\u0131rlar.<\/p>\n

Louvre’un y\u0131ld\u0131z\u0131 ise Mona Lisa’d\u0131r. M\u00fczenin i\u00e7inde r\u00fczgar kesinlikle bu tablonun y\u00f6n\u00fcne eser ve t\u00fcm ziyaret\u00e7iler tablonun \u00f6n\u00fcne do\u011fru s\u00fcr\u00fcklenir. Louvre’u ilk kez gezerken, insanlar\u0131n, varolan en muazzam R\u00f6nesans koleksiyonlar\u0131ndan birini bar\u0131nd\u0131ran o koca oday\u0131 \u0131\u015f\u0131k h\u0131z\u0131yla ge\u00e7erek Mona Lisa’ya ko\u015fmalar\u0131na \u00e7ok \u015fa\u015f\u0131rm\u0131\u015ft\u0131m (saft\u0131m, temizdim, s\u00fctt\u00fcm). Her \u015fey bir yana b\u00fcy\u00fck deparlar\u0131 s\u0131ras\u0131nda bu<\/a>, bu<\/a> ve en \u00f6nemlisi de \u015fu<\/a> tabloya yan g\u00f6zle bile bakma ihtiyac\u0131 duymamalar\u0131n\u0131 \u00e7ok ama \u00e7ok garip bulmu\u015ftum.<\/p>\n

Art\u0131k bu durumu o kadar da garip bulmuyorum. 1911 y\u0131l\u0131nda Louvre’dan \u00e7al\u0131n\u0131p 1913 y\u0131l\u0131nda m\u00fczeye geri d\u00f6nmesiyle \u00fcn\u00fc katlanan bu tablo, \u0130kinci D\u00fcnya Sava\u015f\u0131 s\u0131ras\u0131nda ba\u015f\u0131na bir i\u015f gelmemesi i\u00e7in di\u011fer sanat eserleriyle birlikte \u015fatodan \u015fatoya ta\u015f\u0131nd\u0131. 1962\/1963 y\u0131llar\u0131 aras\u0131nda A.B.D.’de, 1974’te Tokyo ve Moskova’da sergilendi. 21. y\u00fczy\u0131lda Mona Lisa, R\u00f6nesans’\u0131n en \u00f6nemli temsilcilerinden birinin \u00f6nemli bir eseri olman\u0131n \u00f6tesinde bir k\u00fclt\u00fcr ve turizm ikonu haline geldi. Bir\u00e7ok ki\u015fi i\u00e7in Mona Lisa’n\u0131n \u00f6n\u00fcnde durmak ve foto\u011fraf \u00e7ektirmekle Eyfel Kulesi’nin \u00f6n\u00fcnde foto\u011fraf \u00e7ektirmek aras\u0131nda hi\u00e7bir fark yok. \u00d6te yandan be\u015f metre geriden, ka\u00e7 santimetre oldu\u011funu bilmedi\u011fim koruyucu bir cam\u0131n ard\u0131ndaki bir sanat eserini iki y\u00fcz ki\u015fiyle ayn\u0131 anda incelemeye \u00e7al\u0131\u015facak kadar \u00f6nemseyen insanlar illa ki vard\u0131r. E\u011fer onlardan biri olsayd\u0131m, i\u00e7imdeki b\u00fcy\u00fck h\u0131n\u00e7la neler yapaca\u011f\u0131m\u0131 tahmin bile etmek istemezdiniz (d\u00fc\u015fman\u0131md\u0131r seni kim bulursa cana yak\u0131n).<\/p>\n

“Bahar, sen bo\u015f durmazs\u0131n, garip bulacak ba\u015fka bir \u015fey bulmu\u015fsundur” diyenlerinize \u00f6ncelikle bu sorular\u0131 i\u00e7in te\u015fekk\u00fcr ederim. Elbette ki buldum ve hemen \u015fimdi a\u00e7\u0131kl\u0131yorum: Mona Lisa sanat eserli\u011finden cazibe merkezi stat\u00fcs\u00fcne y\u00fckseldik\u00e7e izleyicisinden uzakla\u015fmas\u0131n\u0131 ve git gide fildi\u015fi kulesinden \u00e7evresini izleyen bir s\u00fcperstara d\u00f6n\u00fc\u015fmesini \u00e7ok garip buluyorum. Daha \u00e7ok sevildik\u00e7e kimsenin ger\u00e7ekten merak etmedi\u011fi, gene de evinin \u00f6n\u00fcnde foto\u011fraf\u0131n\u0131 \u00e7ekebilmek i\u00e7in bekledi\u011fi, yaln\u0131z, ya\u015fl\u0131 ve h\u00fcz\u00fcnl\u00fc s\u00fcperstar haline biraz \u00fcz\u00fcl\u00fcyorum bile. Bazen, varl\u0131\u011f\u0131ndan \u015f\u00fcphe duyulan her efsaneye yap\u0131ld\u0131\u011f\u0131 gibi bu tabloya da en tatl\u0131 sesimle “Hey Lisa orada m\u0131s\u0131n? Benim, Bahar.” diye seslenesim geliyor. Cevap vermezse diye korktu\u011fumdan yapm\u0131yorum.<\/p>\n

\"\"<\/a><\/p>\n

\"eric<\/a><\/p>\n

\"unveiling-the-mona-lisa-world-war-2-louvre\"<\/a><\/p>\n

\"monalisa\"<\/a><\/p>\n

[1] Elliott Erwitt, Louvre M\u00fczesi, Paris, Fransa (1997)
\n[2] Dragan Todorovi\u0107, Tell me what’s making you sad, Li?, Louvre M\u00fczesi, Paris, Fransa (2010)<\/em>
\n[3]Erich Hartmann, Jackie Kennedy ve Frans\u0131z K\u00fclt\u00fcr Bakan\u0131 Andre Malraux, Ba\u015fkan John F. Kennedy’nin Mona Lisa’n\u0131n ABD Ulusal Galerisi’ndeki sergileni\u015fiyle ilgili ho\u015fgeldin konu\u015fmas\u0131n\u0131 dinlerken<\/em>, Washington D.C., ABD (1963)
\n[4] \u0130kinci D\u00fcnya Sava\u015f\u0131 sonras\u0131 Mona Lisa’n\u0131n Louvre M\u00fczesi’ne d\u00f6n\u00fc\u015f\u00fc (1945)
\n[5] 1911’deki \u00e7al\u0131n\u0131\u015f\u0131n\u0131n ard\u0131ndan 1914’te Mona Lisa’n\u0131n Louvre M\u00fczesi’ne d\u00f6n\u00fc\u015f\u00fc (1914)<\/span><\/p>\n

[Foto\u011fraflar\u0131n telif hakk\u0131 foto\u011fraf\u0131 \u00e7eken sanat\u00e7\u0131lara aittir. G\u00fczelonlu’da tan\u0131t\u0131m ama\u00e7l\u0131 kullan\u0131lm\u0131\u015ft\u0131r.]<\/small><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Louvre M\u00fczesi’ne ilk kez gitti\u011fimde mekan bug\u00fcnk\u00fc haline g\u00f6re daha sakindi. Gene de o g\u00fcnlerde \u015fimdiyi \u00f6ng\u00f6rebilecek vizyona sahip olmad\u0131\u011f\u0131mdan “bir m\u00fcze bundan daha kalabal\u0131k olabilir mi?” diye d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm\u00fc hat\u0131rl\u0131yorum. Y\u0131llar i\u00e7inde yolum Louvre’a birka\u00e7 kere daha d\u00fc\u015ft\u00fc ve ne kadar \u015fansl\u0131y\u0131m ki \u00e7ok daha kalabal\u0131k olabilece\u011fini g\u00f6rerek b\u00fcy\u00fck yan\u0131lg\u0131mdan kurtuldum. Siz de fark ettiniz mi bilmiyorum, b\u00fcy\u00fck m\u00fczelerin kendine ait bir ritmi vard\u0131r. Sanki kocaman sanal bir r\u00fczgar t\u00fcm insanlar\u0131 ba\u015flang\u0131\u00e7 noktas\u0131ndan ayn\u0131 y\u00f6ne do\u011fru savuruyor gibidir. \u0130tiraz etmeye ya da ba\u015fka bir y\u00f6ne sapmaya \u00e7al\u0131\u015fsan\u0131z da bir noktadan sonra pes ederek kalabal\u0131kla birlikte akmaya ba\u015flars\u0131n\u0131z ve sonunda illa ki kendinizi o m\u00fczenin y\u0131ld\u0131z sanat eserinin kar\u015f\u0131s\u0131nda bulursunuz. \u00d6rne\u011fin Vatikan’da t\u00fcm yollar Sistine \u015eapeli’ne \u00e7\u0131kar. Oraya giden ziyaret\u00e7ilerin \u00e7o\u011funun da tek bir amac\u0131 vard\u0131r: Sistine \u015eapeli’ne ula\u015fmak. M\u00fczede hedeflerine do\u011fru y\u00fcr\u00fcrler ve bu s\u0131rada da ilgilerini sunulmu\u015f di\u011fer eserlerin oldu\u011fu odalardan mecburen ge\u00e7mek zorunda kal\u0131rlar.<\/p>\n","protected":false},"author":3,"featured_media":2643,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[534,530,480,531,533,532,373,529,157],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts\/2634"}],"collection":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/comments?post=2634"}],"version-history":[{"count":2,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts\/2634\/revisions"}],"predecessor-version":[{"id":3575,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts\/2634\/revisions\/3575"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/media\/2643"}],"wp:attachment":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/media?parent=2634"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/categories?post=2634"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/tags?post=2634"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}