{"id":2685,"date":"2013-11-12T10:49:30","date_gmt":"2013-11-12T15:49:30","guid":{"rendered":"http:\/\/guzelonlu.com\/blog\/?p=2685"},"modified":"2015-07-10T15:24:44","modified_gmt":"2015-07-10T13:24:44","slug":"hugo","status":"publish","type":"post","link":"https:\/\/guzelonlu.com\/blog\/hugo\/","title":{"rendered":"Hugo"},"content":{"rendered":"

Be\u015f alt\u0131 sene evvel Fin ressam Hugo Simberg’i kafaya tak\u0131p ad\u0131n\u0131 Internet’te aratt\u0131\u011f\u0131mda kar\u015f\u0131la\u015ft\u0131\u011f\u0131m \u015fey kocaman bir hayal k\u0131r\u0131kl\u0131\u011f\u0131 olmu\u015ftu. Bunun \u00fczerine hakk\u0131nda yaz\u0131lm\u0131\u015f bir(ka\u00e7) kitap alabilir miyim diye bak\u0131nm\u0131\u015ft\u0131m. Ama bu noktada da Fince bilmeme engeline tak\u0131lm\u0131\u015ft\u0131m.<\/p>\n

O y\u00fczden bu yaz Helsinki’ye ayak bast\u0131\u011f\u0131mda b\u00fcy\u00fck hayallerim vard\u0131. Simberg’in eserlerini yak\u0131ndan (\u00e7ok yak\u0131ndan) inceleme f\u0131rsat\u0131 bulaca\u011f\u0131m i\u00e7in heyecanl\u0131yd\u0131m. Ayr\u0131ca b\u00fcy\u00fck kitabevlerinde veya m\u00fczelerde Simberg’le ilgili \u0130ngilizce kitaplarla kar\u015f\u0131la\u015fabilece\u011fime inan\u0131yordum. Sa\u011folsun, Finlandiya beni en az\u0131ndan bu konuda hayal k\u0131r\u0131kl\u0131\u011f\u0131na u\u011fratmad\u0131. Fakat hesaba katmad\u0131\u011f\u0131m bir durum vard\u0131: \u00dclke \u00e7ok pahal\u0131yd\u0131 ve benim tek almak istedi\u011fim \u015fey Hugo Simberg kitab\u0131 de\u011fildi. Kendi kendime yapt\u0131\u011f\u0131m pazarl\u0131klar sonucunda Hugo Simberg kitab\u0131 yerine ba\u015fka baz\u0131 \u015feyler sat\u0131n almaya karar verdim. Bu y\u00fczden de m\u00fcze ziyaretim benim i\u00e7in daha \u00f6nemli bir hal ald\u0131. Di\u011fer Avrupa kentlerindeki emsallerine g\u00f6re pahal\u0131 olan m\u00fcze biletimi al\u0131p i\u00e7eri girdi\u011fimde mekanda foto\u011fraf \u00e7ekmenin yasak oldu\u011funu fark ettim. Normal \u015fartlar alt\u0131nda bir m\u00fczede \u00e7ok az foto\u011fraf \u00e7ekerim. Sonradan hat\u0131rlamayaca\u011f\u0131m\u0131 d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm (ama hat\u0131rlamak istedi\u011fim) detaylar\u0131, ho\u015fuma giden m\u00fcze ziyaret\u00e7ilerini, salon d\u00fczenlerini foto\u011fraflad\u0131\u011f\u0131m olur ama \u00e7ekmemek benim i\u00e7in sorun olmaz. Burada sorun etmemin iki sebebi vard\u0131:<\/p>\n

1. Kitap ve kataloglar \u00e7ok pahal\u0131 oldu\u011fu i\u00e7in almamaya karar vermi\u015ftim.
\n2. Foto\u011fraf \u00e7ekmek yasakt\u0131.<\/p>\n

Bu y\u00fczden g\u00f6revlilere dikkat ederek sadece Simberg’lerin de\u011fil; t\u00fcm koleksiyonun oda oda foto\u011fraflar\u0131n\u0131 \u00e7ektim. D\u00fcn gece b\u00fcy\u00fck \u00e7o\u011funlu\u011fu flu\u011f \u00e7\u0131km\u0131\u015f foto\u011fraflara tekrar bakt\u0131\u011f\u0131mda bu h\u0131rs\u0131m\u0131 komik buldum. Ama bu sayede Simberg’le ilgili bu sat\u0131rlar\u0131 yazabiliyorum, bu da bir \u015feydir. De\u011fil mi?<\/p>\n

Hugo Simberg’in en sevilen ve bilinen tablosu Yaral\u0131 Melek<\/em> i\u00e7in Ateneum’da \u00f6zel bir oda var. Ressam, 1903 y\u0131l\u0131nda tamamlad\u0131\u011f\u0131 bu eser i\u00e7in \u00e7al\u0131\u015fmaya 1898 y\u0131l\u0131nda ba\u015flam\u0131\u015f. \u00dc\u00e7 modelinin hem st\u00fcdyoda hem de Helsinki’deki El\u00e4intarha Park\u0131’nda foto\u011fraflar\u0131n\u0131 \u00e7ekmi\u015f. Dahas\u0131, foto\u011frafta g\u00f6r\u00fcnen yol bug\u00fcn hala varl\u0131\u011f\u0131n\u0131 s\u00fcrd\u00fcr\u00fcyor (T\u00f6\u00f6l\u00f6nlahti Koyu’nda). Simberg hastalan\u0131nca \u00e7al\u0131\u015fmas\u0131 aksam\u0131\u015f. Hastaneden \u00e7\u0131kt\u0131ktan sonra eseri \u00fczerinde \u00e7al\u0131\u015fmaya devam etmi\u015f ve 1903 y\u0131l\u0131n\u0131n yaz aylar\u0131nda Yaral\u0131 Melek<\/em>‘i tamamlam\u0131\u015f. Tamamlar tamamlamaz da isim koymad\u0131\u011f\u0131 bu tabloyu Fin Sanat Toplulu\u011fu’nun sonbahar sergisi se\u00e7melerine g\u00f6ndermi\u015f.<\/p>\n

\"the<\/a>Yaral\u0131 Melek<\/em> odas\u0131nda daha \u00f6nce g\u00f6rmedi\u011fim, \u00e7ok ho\u015fuma giden bir \u00f6n \u00e7al\u0131\u015fmayla kar\u015f\u0131la\u015ft\u0131m. Sizinle payla\u015fmak isterim.<\/p>\n

\"simberg<\/a><\/p>\n

Ziyaretim bitti\u011finde m\u00fczenin d\u00fckkan\u0131nda Yaral\u0131 Melek defterleriyle kar\u015f\u0131la\u015ft\u0131m. Defterin \u00fczerinde Simberg’in st\u00fcdyosunda \u00e7ekti\u011fi model foto\u011fraflar\u0131 vard\u0131. “Art\u0131k bu kadar kemer s\u0131kma yeter” diyerek \u00e7ok ho\u015fland\u0131\u011f\u0131m bu defterlerden sat\u0131n ald\u0131m. Bir g\u00fcn defteri kitapl\u0131klar\u0131mdan birinde sergilenirken buldum. Demek ki, karde\u015fimin “hayatta en fazla \u00f6zledi\u011fim ve yoklu\u011funu hissetti\u011fim insan” oldu\u011funu iddia etti\u011fi birisi de defterin kapa\u011f\u0131n\u0131 sevmi\u015f. Ho\u015fuma gitti, bozmad\u0131m.<\/p>\n

\"hugo<\/a><\/p>\n

Yaral\u0131 Melek<\/em>, pop\u00fcler k\u00fclt\u00fcrde de kendine yer bulmu\u015f. Eser, 2007 y\u0131l\u0131nda halk taraf\u0131ndan Ateneum’daki en sevilen tablo se\u00e7ilmi\u015f. Bug\u00fcn Internet’te dola\u015f\u0131rken a\u015fa\u011f\u0131daki tablo esintili reklamla kar\u015f\u0131la\u015ft\u0131m. D\u00fcn ak\u015fam ise Finli bir grup olan Nightwish’in Amaranth isimli \u015fark\u0131s\u0131n\u0131n Yaral\u0131 Melek<\/em> temal\u0131 klibini<\/a> izledim (sonu biraz ac\u0131kl\u0131).<\/p>\n

\"yarali-melek\"<\/a><\/p>\n

Ben Hugo Simberg’i a\u015fa\u011f\u0131da g\u00f6rd\u00fc\u011f\u00fcn\u00fcz otoportresiyle tan\u0131d\u0131\u011f\u0131mdan kendisiyle ilgili “ciddi bir ressam” \u00f6nyarg\u0131m vard\u0131.<\/p>\n

\"hugo<\/a><\/p>\n

Oysa en afacan halimle ifade etmem gerekirse “Alllakass\u0131 yokmu\u015f”.<\/p>\n

\"hugo<\/a><\/p>\n

K\u0131z karde\u015fi Blenda’yla olan bu foto\u011fraflar\u0131 favori iki karde\u015f pozlar\u0131mdan biri haline geldi.<\/p>\n

\"hugo<\/a><\/p>\n

Hugo, Blenda’ya Yaral\u0131 Melek<\/em>‘i sergi i\u00e7in se\u00e7melere g\u00f6nderdikten sonra (utanmazca \u00e7ekti\u011fim foto\u011fraflar sayesinde ayn\u0131 utanmazl\u0131kla \u00e7evirdi\u011fim) a\u015fa\u011f\u0131daki sat\u0131rlar\u0131 yazm\u0131\u015f:<\/p>\n

\n

Can\u0131m karde\u015fim, sana \u00e7ok g\u00fczel bir haberim var. Bu sene -sonunda- reddedilmedim. Laf aram\u0131zda j\u00fcri a\u015f\u0131r\u0131 kast\u0131rd\u0131. Kendimi \u00e7ok b\u00fcy\u00fck bir \u015fey ba\u015farm\u0131\u015f gibi hissediyorum. Gallen<\/span><\/a> onu ciddiye almam\u0131 zorla\u015ft\u0131ran bir heyecan i\u00e7indeydi. \u0130lk yapt\u0131\u011f\u0131 \u015fey \u00e7al\u0131\u015fmam\u0131 \u00f6vmek oldu. Tablom onda orman\u0131n ortas\u0131ndaki k\u00fc\u00e7\u00fck bir kul\u00fcbede yaln\u0131z kalma ve d\u0131\u015f d\u00fcnyay\u0131 resmetme hissi uyand\u0131rm\u0131\u015f. S\u00f6yledi\u011fine g\u00f6re sergideki ba\u015fka hi\u00e7bir eserde benimkinde g\u00f6rd\u00fc\u011f\u00fc huzur ve uyum yokmu\u015f. Huysuz Edelfelt<\/span><\/a>‘i bilirsin. O bile bana iltifat etti, gerisini sen d\u00fc\u015f\u00fcn.<\/em><\/span><\/p>\n<\/blockquote>\n

Yaz\u0131y\u0131 Simberg’in Yaral\u0131 Melek<\/em> i\u00e7in kulland\u0131\u011f\u0131 mekanlarda yapt\u0131\u011f\u0131 suluboyalar ve \u00e7ekti\u011fi foto\u011fraflardan olu\u015fan slayt g\u00f6sterisi ile bitiriyorum. “Bu yaz\u0131lanlar bana yetmedi” diyenleriniz olabilir. Bu ki\u015filere, e\u011fer bana fahi\u015f fiyatl\u0131 Simberg kitaplar\u0131n\u0131 al\u0131rlarsa, ressamla ilgili her t\u00fcrl\u00fc sunumu haz\u0131rlayaca\u011f\u0131ma s\u00f6z veriyorum (kukla tiyatrosu dahil).<\/p>\n

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<\/div> <\/span> <\/a> <\/span> <\/a> <\/div>\n","protected":false},"excerpt":{"rendered":"

Be\u015f alt\u0131 sene evvel Fin ressam Hugo Simberg’i kafaya tak\u0131p ad\u0131n\u0131 Internet’te aratt\u0131\u011f\u0131mda kar\u015f\u0131la\u015ft\u0131\u011f\u0131m \u015fey kocaman bir hayal k\u0131r\u0131kl\u0131\u011f\u0131 olmu\u015ftu. Bunun \u00fczerine hakk\u0131nda yaz\u0131lm\u0131\u015f bir(ka\u00e7) kitap alabilir miyim diye bak\u0131nm\u0131\u015ft\u0131m. Ama bu noktada da Fince bilmeme engeline tak\u0131lm\u0131\u015ft\u0131m. O y\u00fczden bu yaz Helsinki’ye ayak bast\u0131\u011f\u0131mda b\u00fcy\u00fck hayallerim vard\u0131. Simberg’in eserlerini yak\u0131ndan (\u00e7ok yak\u0131ndan) inceleme f\u0131rsat\u0131 bulaca\u011f\u0131m i\u00e7in heyecanl\u0131yd\u0131m. Ayr\u0131ca b\u00fcy\u00fck kitabevlerinde veya m\u00fczelerde Simberg’le ilgili \u0130ngilizce kitaplarla kar\u015f\u0131la\u015fabilece\u011fime inan\u0131yordum. Sa\u011folsun, Finlandiya beni en az\u0131ndan bu konuda hayal k\u0131r\u0131kl\u0131\u011f\u0131na u\u011fratmad\u0131. Fakat hesaba katmad\u0131\u011f\u0131m bir durum vard\u0131: \u00dclke \u00e7ok pahal\u0131yd\u0131 ve benim tek almak istedi\u011fim \u015fey Hugo Simberg kitab\u0131 de\u011fildi. Kendi kendime yapt\u0131\u011f\u0131m pazarl\u0131klar sonucunda Hugo Simberg kitab\u0131 yerine ba\u015fka baz\u0131 \u015feyler sat\u0131n almaya karar verdim. Bu y\u00fczden de m\u00fcze ziyaretim benim i\u00e7in daha \u00f6nemli bir hal ald\u0131. Di\u011fer Avrupa kentlerindeki emsallerine g\u00f6re pahal\u0131 olan m\u00fcze biletimi al\u0131p i\u00e7eri girdi\u011fimde mekanda foto\u011fraf \u00e7ekmenin yasak oldu\u011funu fark ettim. Normal \u015fartlar alt\u0131nda bir m\u00fczede \u00e7ok az foto\u011fraf \u00e7ekerim. Sonradan hat\u0131rlamayaca\u011f\u0131m\u0131 d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm (ama hat\u0131rlamak istedi\u011fim) detaylar\u0131, ho\u015fuma giden m\u00fcze ziyaret\u00e7ilerini, salon d\u00fczenlerini foto\u011fraflad\u0131\u011f\u0131m olur ama \u00e7ekmemek benim i\u00e7in sorun olmaz. Burada sorun etmemin iki sebebi vard\u0131: 1. Kitap ve kataloglar \u00e7ok pahal\u0131 oldu\u011fu i\u00e7in almamaya karar vermi\u015ftim. 2. Foto\u011fraf \u00e7ekmek yasakt\u0131. Bu y\u00fczden g\u00f6revlilere dikkat […]<\/p>\n","protected":false},"author":3,"featured_media":2688,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[546,543,544,538,545,539,540,541],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts\/2685"}],"collection":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/comments?post=2685"}],"version-history":[{"count":1,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts\/2685\/revisions"}],"predecessor-version":[{"id":3576,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts\/2685\/revisions\/3576"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/media\/2688"}],"wp:attachment":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/media?parent=2685"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/categories?post=2685"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/tags?post=2685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}