{"id":2897,"date":"2014-05-10T07:46:26","date_gmt":"2014-05-10T12:46:26","guid":{"rendered":"http:\/\/guzelonlu.com\/blog\/?p=2897"},"modified":"2015-07-10T14:14:56","modified_gmt":"2015-07-10T12:14:56","slug":"muzede","status":"publish","type":"post","link":"https:\/\/guzelonlu.com\/blog\/muzede\/","title":{"rendered":"M\u00fczede"},"content":{"rendered":"

Bug\u00fcn sizinle benim i\u00e7in \u00f6nemli bir tablo k\u00fcmesini payla\u015faca\u011f\u0131m. Benim i\u00e7in \u00f6nemliler, \u00e7\u00fcnk\u00fc birka\u00e7 senedir sinsi bir sessizlikle bu tablolar\u0131 ara\u015ft\u0131r\u0131yordum. Hat\u0131rlarsan\u0131z, daha \u00f6nceki bir yaz\u0131da d\u00fcnyan\u0131n farkl\u0131 yerlerindeki m\u00fczelerin ziyaret\u00e7ilerinin foto\u011fraflar\u0131n\u0131 konu etmi\u015ftim<\/a>. Bug\u00fcn ise bu temay\u0131 i\u015fleyen ressamlar\u0131n eserlerine g\u00f6z gezdirece\u011fiz.<\/p>\n

Bu konuya duydu\u011fum ilgi, Edgar Degas’n\u0131n 1880’lerde Louvre M\u00fczesi’nde \u00e7izdi\u011fi a\u015fa\u011f\u0131da g\u00f6rebilece\u011finiz d\u00f6rt tablosuyla kar\u015f\u0131la\u015fmam sonras\u0131nda ba\u015flad\u0131. Degas’n\u0131n bu \u00e7al\u0131\u015fmalar\u0131ndaki modelleri tan\u0131d\u0131k isimler: Ayn\u0131 zamanda Degas’n\u0131n yak\u0131n arkada\u015f\u0131 olan Amerikal\u0131 ressam Mary Cassatt ve onun k\u0131z karde\u015fi Lydia. (\u00dcnl\u00fc olan Mary oldu\u011fu i\u00e7in eserler sanki tek bir insan bar\u0131nd\u0131r\u0131yorlarm\u0131\u015fcas\u0131na Mary Cassatt Louvre’da<\/em> diye adland\u0131r\u0131lm\u0131\u015f.)<\/p>\n

\"edgar<\/a><\/p>\n

\"edgar<\/a><\/p>\n

Birmingham M\u00fczesi’nde sergilenen Twas a Famous Victory<\/em>‘i 1883 y\u0131l\u0131nda Edward Richard Taylor yapm\u0131\u015f. Anlad\u0131\u011f\u0131m kadar\u0131yla \u0130ngiltere’de 1800’lerin ikinci yar\u0131s\u0131nda denizcilik zaferlerini m\u00fczede kutlayan insanlar temal\u0131 tablo modas\u0131 varm\u0131\u015f. Neden b\u00f6yle s\u00f6yledi\u011fimi birka\u00e7 tablo sonra anlayacaks\u0131n\u0131z.<\/p>\n

\"Twas<\/a><\/p>\n

A\u00e7\u0131k\u00e7as\u0131, Bel\u00e7ika’n\u0131n Manet’si olarak an\u0131lan Henri de Braekeleer’in 1886 tarihli \u0130ngilizce’si Picture Lover <\/em>olarak ge\u00e7en tablosunun bir m\u00fczeyi konu edindi\u011finden \u00e7ok emin de\u011filim. Ressam\u0131n 1880’lerde a\u011f\u0131r depresyon problemiyle bo\u011fu\u015ftu\u011funu ve \u00e7ok az eser \u00fcretti\u011fini biliyorum. Bu y\u00fczden de bu kapal\u0131 alan\u0131n m\u00fcze olma olas\u0131l\u0131\u011f\u0131 biraz d\u00fc\u015f\u00fck. Gene de tabloyu sevdi\u011fimden onu kay\u0131rmaya karar verdim.<\/p>\n

\"Henri<\/a><\/p>\n

Bir sonraki tablo bug\u00fcn ne zamand\u0131r bekletti\u011fim bu yaz\u0131y\u0131 bitirmeme sebep oldu. Frans\u0131z ressam Julie J. Buchet’nin hangi m\u00fczeyi \u00e7izdi\u011fini maalesef bilmiyorum. Aran\u0131zda bilgisi olan var m\u0131?<\/p>\n

\"julie<\/a><\/p>\n

Julie J. Buchet ile ayn\u0131 y\u0131lda (1886) Giuseppe Gabrielli’nin nereyi \u00e7izdi\u011fini ise biliyorum: Londra Ulusal Galerisi’ni. Bu tablonun do\u011fal renklerinin a\u015fa\u011f\u0131daki gibi oldu\u011funu hi\u00e7 sanm\u0131yorum ama Internet’te daha d\u00fczg\u00fcn bir versiyonunu bulamad\u0131m. \u015eunu da s\u00f6ylemeden ge\u00e7emeyece\u011fim: Ulusal Galeri ne kadar azametli g\u00f6r\u00fcn\u00fcyor, de\u011fil mi?<\/p>\n

\"(c)<\/a><\/p>\n

Thomas Davidson’\u0131n 1894 tarihli England’s Pride and Glory<\/i> isimli tablosu ise Greenwich’teki Deniz Kuvvetleri Galerisi’nde ge\u00e7iyor. Burada gen\u00e7 bir o\u011flan \u00e7ocu\u011fu Lemuel Francis Abbott taraf\u0131ndan yap\u0131lm\u0131\u015f Britanyal\u0131 Deniz Komutan\u0131 Horatio Nelson’\u0131n portresine bak\u0131yor ve gelece\u011fi i\u00e7in ilham al\u0131yor.<\/p>\n

\"Englands<\/a><\/p>\n

Tekrar Louvre’a d\u00f6n\u00fcyoruz. A\u015fa\u011f\u0131daki tabloyu 1894 y\u0131l\u0131nda Louis Beroud yapm\u0131\u015f. D\u00fcr\u00fcst\u00e7esi \u00e7ok bir numaras\u0131 oldu\u011funu d\u00fc\u015f\u00fcnm\u00fcyorum ama m\u00fcze temal\u0131 tablolar\u0131 konu etti\u011fim bir yaz\u0131da numaras\u0131 oldu\u011funu d\u00fc\u015f\u00fcnmedi\u011fim bir eseri es ge\u00e7mek istemedim.<\/p>\n

\"Au<\/a><\/p>\n

A\u015fa\u011f\u0131daki resmi Henry James’in The Ambassadors<\/em> isimli roman\u0131n\u0131n Penguin Classics bas\u0131m\u0131n\u0131n kapa\u011f\u0131nda g\u00f6rd\u00fcm. \u00c7ok ara\u015ft\u0131rd\u0131m ama ressam\u0131n\u0131 \u00f6\u011frenemedim. Bu y\u00fczden tam hali bu mudur yoksa tablonun bir par\u00e7as\u0131 m\u0131 sorusunun da cevab\u0131n\u0131 bilmiyorum. Belki ilerleyen g\u00fcnlerde cevab\u0131 bulurum.<\/p>\n

\"henry<\/a><\/p>\n

Gelelim e\u011flenceli tablolara. Norman Rockwell’in Art Critic<\/em> isimli tablosu bu serinin en komik eseri bence. \u00d6zellikle sa\u011fdaki tablodaki asil beylerin ele\u015ftirmene bak\u0131\u015flar\u0131 muazzam.<\/p>\n

\"Art<\/a><\/p>\n

Rockwell’in m\u00fcze temal\u0131 \u00e7al\u0131\u015fmalar\u0131 Art Critic<\/em> ile s\u0131n\u0131rl\u0131 kalmam\u0131\u015f. 1950’lerde ba\u015fka eserlere de imza atm\u0131\u015f. (Pollock ve Picasso’yu tan\u0131d\u0131m ama soldaki portrenin kimin oldu\u011funu biliyor musunuz?)<\/p>\n

\"norman<\/a><\/p>\n

M\u00fczelerde ge\u00e7en tablolara olan ilgim bir s\u00fcre yeni ressamla tan\u0131\u015fmama da vesile oldu. Bunlardan biri de Kanadal\u0131 Oscar Cah\u00e9n. Cah\u00e9n’in \u00e7al\u0131\u015fmas\u0131nda havada d\u00f6nen Miro’lar\u0131 ben de bir yerlerde g\u00f6rm\u00fc\u015ft\u00fcm ama onun d\u0131\u015f\u0131nda m\u00fcze bana tan\u0131d\u0131k gelmedi.<\/p>\n

\"oscar<\/a><\/p>\n

Leon Kroll’un 1964 y\u0131l\u0131nda yapt\u0131\u011f\u0131 tablonun ismi Girls at the Exhibition<\/em>. Ama k\u0131zlar kim ve hangi sergideler sorular\u0131n\u0131n cevab\u0131 belirsiz. Gene de 1964’te b\u00f6yle bir eserin \u00fcretilmesini ilgin\u00e7 buldum.<\/p>\n

\"Girls<\/a><\/p>\n

A\u015fa\u011f\u0131daki resimler Karen Jurick’e ait. Sanatsal de\u011ferleri tart\u0131\u015f\u0131l\u0131r. Jurick benzer temal\u0131 eserleri sitesinde sat\u0131yor. Se\u00e7ti\u011fi tablolar\u0131 sevdim (Sargent!). Ayr\u0131ca \u0131smarlama yap\u0131yorsa bunun g\u00fczel bir hediye olabilece\u011fini d\u00fc\u015f\u00fcn\u00fcyorum.<\/p>\n

\"karen<\/a><\/p>\n

Rembrandt’a (aka Rembro\u015f) bakan bu \u00e7ifti eskiz defterine Will Freeborn \u00e7izmi\u015f. Bu \u00e7al\u0131\u015fman\u0131n benim ad\u0131ma \u00f6nemi biriktirmeye ba\u015flad\u0131\u011f\u0131m bu k\u00fcmenin ilk eleman\u0131 olmas\u0131 (-ki haf\u0131zas\u0131 kuvvetli okuyucular bu \u00e7al\u0131\u015fmay\u0131 Tumblr’da \u00e7ok eskiden payla\u015ft\u0131\u011f\u0131m\u0131 hat\u0131rlayacakt\u0131r).<\/p>\n

\"will<\/a><\/p>\n

Aram\u0131zda kals\u0131n, bu aralar \u00e7ok g\u00fczel m\u00fczeler gezdim ve birka\u00e7 tane daha gezmek i\u00e7in kafamda k\u0131rk tilki dola\u015f\u0131yor. Bir yerlerde, m\u00fczeye gitmenin insana ilham veren eylemlerden biri oldu\u011funu iddia eden bir makale okumu\u015ftum. Bu gezilerimin bana kazand\u0131rd\u0131\u011f\u0131 ilhamlar blogumu nas\u0131l etkileyecek, gelecek g\u00fcnlerde g\u00f6rece\u011fiz.<\/p>\n

O zamana kadar esen kal\u0131n, \u00e7\u00fcnk\u00fc insan\u0131n i\u00e7inde bir r\u00fczgar\u0131n dola\u015ft\u0131\u011f\u0131n\u0131 hissetmesi \u00e7ok g\u00fczel bir his.<\/p>\n

\"peanuts\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Bug\u00fcn sizinle benim i\u00e7in \u00f6nemli bir tablo k\u00fcmesini payla\u015faca\u011f\u0131m. Benim i\u00e7in \u00f6nemliler, \u00e7\u00fcnk\u00fc birka\u00e7 senedir sinsi bir sessizlikle bu tablolar\u0131 ara\u015ft\u0131r\u0131yordum. Hat\u0131rlarsan\u0131z, daha \u00f6nceki bir yaz\u0131da d\u00fcnyan\u0131n farkl\u0131 yerlerindeki m\u00fczelerin ziyaret\u00e7ilerinin foto\u011fraflar\u0131n\u0131 konu etmi\u015ftim. Bug\u00fcn ise bu temay\u0131 i\u015fleyen ressamlar\u0131n eserlerine g\u00f6z gezdirece\u011fiz. Bu konuya duydu\u011fum ilgi, Edgar Degas’n\u0131n 1880’lerde Louvre M\u00fczesi’nde \u00e7izdi\u011fi a\u015fa\u011f\u0131da g\u00f6rebilece\u011finiz d\u00f6rt tablosuyla kar\u015f\u0131la\u015fmam sonras\u0131nda ba\u015flad\u0131. Degas’n\u0131n bu \u00e7al\u0131\u015fmalar\u0131ndaki modelleri tan\u0131d\u0131k isimler: Ayn\u0131 zamanda Degas’n\u0131n yak\u0131n arkada\u015f\u0131 olan Amerikal\u0131 ressam Mary Cassatt ve onun k\u0131z karde\u015fi Lydia. (\u00dcnl\u00fc olan Mary oldu\u011fu i\u00e7in eserler sanki tek bir insan bar\u0131nd\u0131r\u0131yorlarm\u0131\u015fcas\u0131na Mary Cassatt Louvre’da diye adland\u0131r\u0131lm\u0131\u015f.)<\/p>\n","protected":false},"author":3,"featured_media":2901,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[616,247,619,623,620,622,628,625,496,618,617,626,627,621,624],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts\/2897"}],"collection":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/comments?post=2897"}],"version-history":[{"count":1,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts\/2897\/revisions"}],"predecessor-version":[{"id":3563,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts\/2897\/revisions\/3563"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/media\/2901"}],"wp:attachment":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/media?parent=2897"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/categories?post=2897"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/tags?post=2897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}