{"id":3039,"date":"2016-07-08T00:11:03","date_gmt":"2016-07-07T22:11:03","guid":{"rendered":"http:\/\/guzelonlu.com\/blog\/?p=3039"},"modified":"2016-07-08T17:26:12","modified_gmt":"2016-07-08T15:26:12","slug":"halfdan-egedius-beyler","status":"publish","type":"post","link":"https:\/\/guzelonlu.com\/blog\/halfdan-egedius-beyler\/","title":{"rendered":"Halfdan Egedius Beyler"},"content":{"rendered":"

\"Halfdan_Egedius_-_The_Dreamer._Portrait_of_the_Painter_Torleiv_Stadskleiv\"<\/a><\/p>\n

Bu yaz\u0131n\u0131n taslaklarda sakland\u0131\u011f\u0131 tarih 2014’\u00fcn Aral\u0131k ay\u0131 oldu\u011funa g\u00f6re Halfdan Egedius’a ait yukar\u0131da g\u00f6rd\u00fc\u011f\u00fcn\u00fcz “Hayalperest” isimli portreyi ilk kez 2014 yaz\u0131nda g\u00f6rm\u00fc\u015f olmal\u0131y\u0131m. O g\u00fcnlerde bu yaz\u0131n\u0131n ba\u015fl\u0131\u011f\u0131 olarak Halfdan Egedius’un Ac\u0131kl\u0131 Ya\u015fam \u00d6yk\u00fcs\u00fc<\/em>‘n\u00fc uygun bulmu\u015fum. Bug\u00fcn bu isim bana fazla sert geldi. \u00c7\u00fcnk\u00fc ressam\u0131n ya\u015fam\u0131na ait bildi\u011fimiz tek ac\u0131kl\u0131 durum 21 ya\u015f\u0131nda bu d\u00fcnyadan g\u00f6\u00e7\u00fcp gitmesi (-ki bu da beni yaralamaya yetecek bir ac\u0131kl\u0131l\u0131k).<\/p>\n

Bir sanat\u00e7\u0131n\u0131n gen\u00e7 ya\u015fta \u00f6ld\u00fc\u011f\u00fcn\u00fc \u00f6\u011frendi\u011fimde b\u00fcy\u00fck bir \u00fcz\u00fcnt\u00fc hissediyorum. \u00d6rne\u011fin sefaleti, yoklu\u011fu, aptall\u0131\u011f\u0131, sarho\u015flu\u011fu, ahlaks\u0131zl\u0131\u011f\u0131 \u00e7izilebilecek en iyi \u015fekilde betimlemi\u015f Adriaen Brouwer’in (1606 – 1638) 32 ya\u015f\u0131nda \u00f6ld\u00fc\u011f\u00fcn\u00fc \u00f6\u011frendi\u011fimde \u00e7ok \u00fcz\u00fclm\u00fc\u015ft\u00fcm. Sanki Brouwer sonsuza kadar varolmal\u0131 ve karanl\u0131\u011f\u0131 anlatmaya devam etmeliydi. Ah bir de otuzunda veremden \u00f6len Jan Mankes var elbette\u00a0 (1889 – 1920) ve onun naif tablolar\u0131. Bu kadar gen\u00e7 ya\u015fta \u00f6lmelerine \u00fcz\u00fcl\u00fcyorum \u00e7\u00fcnk\u00fc birincisi \u00e7ok gen\u00e7 ya\u015fta \u00f6lm\u00fc\u015fler sonu\u00e7ta ve ikincisi de “peki ya \u00f6lmeselerdi?” sorusunun cevab\u0131n\u0131 d\u00fc\u015f\u00fcnmek beni mahvediyor. Goya’n\u0131n 82 yerine 30 ya\u015f\u0131nda \u00f6ld\u00fc\u011f\u00fcn\u00fc hayal ederseniz ne demek istedi\u011fimi daha iyi anlayacaks\u0131n\u0131z. Soluk benizli bir \u0130sa \u00e7izmesinin hemen ard\u0131ndan \u00f6len bir Goya adeta hi\u00e7 ya\u015famam\u0131\u015f bir Goya de\u011fil midir? Muhte\u015fem Kara Resimlerini ge\u00e7tim, ne\u015feli t\u00fcr resimlerine bile ba\u015flamam\u0131\u015f olacakt\u0131. Brouwer \u00f6lmeseydi kim bilir neler yapard\u0131? Peki Mankes? Peki hen\u00fcz yirmi birinde d\u00fcnyaya veda eden zavall\u0131 Egedius?<\/p>\n

Egedius’un kendisi gibi ressam olan yak\u0131n arkada\u015f\u0131 Torleic Stadskleiv’i \u00e7izdi\u011fi yukar\u0131daki portreyle ilk kez kar\u015f\u0131la\u015ft\u0131\u011f\u0131mda bu tablonun \u00e7a\u011fda\u015f bir sanat\u00e7\u0131n\u0131n eseri oldu\u011funu d\u00fc\u015f\u00fcnm\u00fc\u015ft\u00fcm. Bu y\u00fczden tablonun yap\u0131l\u0131\u015f tarihinin 1895 oldu\u011funu \u00f6\u011frendi\u011fimde \u00e7ok \u015fa\u015f\u0131rm\u0131\u015ft\u0131m. Asl\u0131na bakacak olursan\u0131z iki arkada\u015f kar\u015f\u0131l\u0131kl\u0131 birbirini \u00e7izmi\u015fti ama ne kadar ararsam arayay\u0131m Standskleiv’in \u00e7izdi\u011fi Egedius portresini bulamad\u0131m.<\/p>\n

Halfdan Egedius bu portreyi yapt\u0131\u011f\u0131nda sadece on yedi ya\u015f\u0131ndaym\u0131\u015f. Be\u015f ya\u015f\u0131nda yetene\u011fi fark edilen ressam dokuz ya\u015f\u0131nda sanat okuluna girmi\u015f, on alt\u0131 ya\u015f\u0131nda ise profesyonel olarak \u00e7al\u0131\u015fmaya ba\u015flam\u0131\u015f. Uzun zaman boyunca ressam\u0131n \u0130nternet’teki tek foto\u011fraf\u0131 altta g\u00f6rd\u00fc\u011f\u00fcn\u00fcz fotoydu. Ama sonra muhte\u015fem bir \u015fey oldu ve Norve\u00e7 t\u0131pk\u0131 di\u011fer \u0130skandinav \u00fclkeler gibi sanat ar\u015fivini d\u00fcnyaya a\u00e7t\u0131. B\u00f6ylece Egedius’un ne\u015feli y\u00fcz\u00fcyle tan\u0131\u015fma f\u0131rsat\u0131 bulduk. Gen\u00e7 ressam\u0131n e\u011flenceli foto\u011fraflar\u0131n\u0131 Nisan ay\u0131nda Tumblr’\u0131mda payla\u015ft\u0131m. \u015euradan g\u00f6rebilirsiniz: T\u0131k t\u0131k<\/a>\u00a0 (Her zaman s\u00f6ylerim, de\u011ferini bilenler i\u00e7in Tumblr’\u0131m<\/a> bulunamayan\u0131 bulan muhte\u015fem bir kaynakt\u0131r.)<\/p>\n

\"halfdan<\/a><\/p>\n

[Bu yorum Tumblr’daki foto\u011fraflara bakanlar i\u00e7in: Egedius’un bu ne\u015feli h\u00e2lleri size de bir zamanlar burada payla\u015ft\u0131\u011f\u0131m bir di\u011fer \u0130skandinav ressam Hugo Simberg’in ne\u015feli foto\u011fraflar\u0131n\u0131<\/a> hat\u0131rlatt\u0131 m\u0131? Bana hat\u0131rlatt\u0131 \u00e7\u00fcnk\u00fc.]<\/p>\n

Ya\u015flanmay\u0131 ba\u015faramayan Halfdan, Telemark’ta manzara tablolar\u0131 yapt\u0131\u011f\u0131 1898 yaz\u0131nda hastalanm\u0131\u015f, i\u00e7 organlara sald\u0131ran bakteriyel bir enfeksiyona kar\u015f\u0131 fazla m\u00fccadele edememi\u015f ve 22 ya\u015f\u0131na giremeden vefat etmi\u015f.<\/p>\n

Yaz\u0131m\u0131z\u0131n bu son b\u00f6l\u00fcm\u00fcnde, ressam\u0131n be\u011fendi\u011fim birka\u00e7 eserini sizlerle payla\u015fmak istiyorum. Evet, hep birlikte bak\u0131yoruz:<\/p>\n

\"Halfdan_Egedius_-summer<\/a><\/p>\n

Egedius, 1893 tarihli Cumartesi Ak\u015fam\u0131 Y\u00fcr\u00fcy\u00fc\u015f\u00fc<\/em>‘nde do\u011fada sohbet ederek y\u00fcr\u00fcyen iki arkada\u015f\u0131 \u00e7izdi. Bu tablo bir di\u011fer Norve\u00e7li ressam Harald Sohlberg’\u00fcn Ak\u015fam K\u0131z\u0131ll\u0131\u011f\u0131<\/a><\/em> tablosuyla yan yana sergilendi ve her iki ressam\u0131n eseri de \u00e7ok be\u011fenildi (Sohlberg de benim eserlerini payla\u015fmaktan \u00e7ok ho\u015fland\u0131\u011f\u0131m bir isim)<\/p>\n

\"Halfdan<\/a><\/p>\n

1895 tarihli Dans Eden K\u0131zlar<\/em> tablosunun da bir hik\u00e2yesi vard\u0131 ama ne yaz\u0131k ki \u015fu anda hat\u0131rlam\u0131yorum. (Siz siz olun yaz\u0131lar\u0131n\u0131za iki sene ara vermeyin)<\/p>\n

\"halfdan_egedius\"<\/a><\/p>\n

Oyna ve Dans Et<\/em> isimli bu tabloyu \u00e7ok seviyorum. Sizce de bu tabloda Edvard Munchvari bir \u015feyler yok mu? Bence hem var, hem yok. Bu tablonun yap\u0131l\u0131\u015f tarihi 1895. Yani Munch’tan sonra ya da ondan etkilenerek yap\u0131lm\u0131\u015f de\u011fil. \u015eimdi “21 ya\u015f\u0131nda \u00f6lmeseydi neler\u00a0 yapard\u0131?” sorusu biraz daha anlam kazand\u0131 m\u0131?<\/p>\n

Norve\u00e7 Ulusal Galerisi’nin ar\u015fivinden Egedius’un di\u011fer eserlerini de g\u00f6rebilirsiniz. Birka\u00e7 g\u00fcnd\u00fcr bu ar\u015fivde o kadar \u00e7ok vakit ge\u00e7irdim ki g\u00f6zlerimi kapatt\u0131\u011f\u0131mda Oslo’ya \u0131\u015f\u0131nlanacakm\u0131\u015f gibi hissediyorum. Ger\u00e7i i\u015fimi hislere b\u0131rakmaya hi\u00e7 niyetim yok. \u00d6zellikle de Oslo’dan insan\u0131n en olmak istedi\u011fi adalara gemi seferleri varken. (Bir ba\u015fka g\u00fcl\u00fcc\u00fckl\u00fc vedam\u0131z\u0131 izlediniz. Sevgilerle)<\/p>\n

\"halfdan<\/a><\/p>\n

\"Halfdan<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Bu yaz\u0131n\u0131n taslaklarda sakland\u0131\u011f\u0131 tarih 2014’\u00fcn Aral\u0131k ay\u0131 oldu\u011funa g\u00f6re Halfdan Egedius’a ait yukar\u0131da g\u00f6rd\u00fc\u011f\u00fcn\u00fcz “Hayalperest” isimli portreyi ilk kez 2014 yaz\u0131nda g\u00f6rm\u00fc\u015f olmal\u0131y\u0131m. O g\u00fcnlerde bu yaz\u0131n\u0131n ba\u015fl\u0131\u011f\u0131 olarak Halfdan Egedius’un Ac\u0131kl\u0131 Ya\u015fam \u00d6yk\u00fcs\u00fc‘n\u00fc uygun bulmu\u015fum. Bug\u00fcn bu isim bana fazla sert geldi. \u00c7\u00fcnk\u00fc ressam\u0131n ya\u015fam\u0131na ait bildi\u011fimiz tek ac\u0131kl\u0131 durum 21 ya\u015f\u0131nda bu d\u00fcnyadan g\u00f6\u00e7\u00fcp gitmesi (-ki bu da beni yaralamaya yetecek bir ac\u0131kl\u0131l\u0131k). Bir sanat\u00e7\u0131n\u0131n gen\u00e7 ya\u015fta \u00f6ld\u00fc\u011f\u00fcn\u00fc \u00f6\u011frendi\u011fimde b\u00fcy\u00fck bir \u00fcz\u00fcnt\u00fc hissediyorum. \u00d6rne\u011fin sefaleti, yoklu\u011fu, aptall\u0131\u011f\u0131, sarho\u015flu\u011fu, ahlaks\u0131zl\u0131\u011f\u0131 \u00e7izilebilecek en iyi \u015fekilde betimlemi\u015f Adriaen Brouwer’in (1606 – 1638) 32 ya\u015f\u0131nda \u00f6ld\u00fc\u011f\u00fcn\u00fc \u00f6\u011frendi\u011fimde \u00e7ok \u00fcz\u00fclm\u00fc\u015ft\u00fcm. Sanki Brouwer sonsuza kadar varolmal\u0131 ve karanl\u0131\u011f\u0131 anlatmaya devam etmeliydi. Ah bir de otuzunda veremden \u00f6len Jan Mankes var elbette\u00a0 (1889 – 1920) ve onun naif tablolar\u0131. Bu kadar gen\u00e7 ya\u015fta \u00f6lmelerine \u00fcz\u00fcl\u00fcyorum \u00e7\u00fcnk\u00fc birincisi \u00e7ok gen\u00e7 ya\u015fta \u00f6lm\u00fc\u015fler sonu\u00e7ta ve ikincisi de “peki ya \u00f6lmeselerdi?” sorusunun cevab\u0131n\u0131 d\u00fc\u015f\u00fcnmek beni mahvediyor. Goya’n\u0131n 82 yerine 30 ya\u015f\u0131nda \u00f6ld\u00fc\u011f\u00fcn\u00fc hayal ederseniz ne demek istedi\u011fimi daha iyi anlayacaks\u0131n\u0131z. Soluk benizli bir \u0130sa \u00e7izmesinin hemen ard\u0131ndan \u00f6len bir Goya adeta hi\u00e7 ya\u015famam\u0131\u015f bir Goya de\u011fil midir? Muhte\u015fem Kara Resimlerini ge\u00e7tim, ne\u015feli t\u00fcr resimlerine bile ba\u015flamam\u0131\u015f olacakt\u0131. Brouwer \u00f6lmeseydi kim bilir neler yapard\u0131? Peki Mankes? Peki hen\u00fcz […]<\/p>\n","protected":false},"author":3,"featured_media":3041,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[665,667,664,666],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts\/3039"}],"collection":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/comments?post=3039"}],"version-history":[{"count":9,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts\/3039\/revisions"}],"predecessor-version":[{"id":4053,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts\/3039\/revisions\/4053"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/media\/3041"}],"wp:attachment":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/media?parent=3039"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/categories?post=3039"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/tags?post=3039"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}