{"id":3161,"date":"2015-01-11T16:02:42","date_gmt":"2015-01-11T21:02:42","guid":{"rendered":"http:\/\/guzelonlu.com\/blog\/?p=3161"},"modified":"2015-10-01T22:01:38","modified_gmt":"2015-10-01T20:01:38","slug":"bir-tablo-bir-sarki","status":"publish","type":"post","link":"https:\/\/guzelonlu.com\/blog\/bir-tablo-bir-sarki\/","title":{"rendered":"Bir tablo, bir \u015fark\u0131"},"content":{"rendered":"

M\u00fczeleri ya da galerileri dola\u015f\u0131rken e\u011fer kula\u011f\u0131mda kulakl\u0131\u011f\u0131m varsa orada g\u00f6rd\u00fc\u011f\u00fcm eserlerin fon m\u00fczi\u011fi o anda dinledi\u011fim alb\u00fcmler olur. Oysa bazen de bir tabloya bakars\u0131n\u0131z ve akl\u0131n\u0131za birden bir \u015fark\u0131 gelir. Art\u0131k o tablonun \u015fark\u0131s\u0131 bellidir. \u0130\u015fte bug\u00fcn sizi tam da bunu yapt\u0131\u011f\u0131m\u0131z bir oyuna davet edece\u011fim.<\/p>\n

Bu yaz\u0131 i\u00e7in kendisini Twitter’dan takip edebilece\u011finiz Meri\u00e7<\/a>‘le i\u015fbirli\u011fi yapt\u0131k. Ben ona sevdi\u011fim tablolardan olu\u015fan bir se\u00e7ki yollad\u0131m. Meri\u00e7 her tablo i\u00e7in akl\u0131na ilk gelen \u015fark\u0131y\u0131 geri g\u00f6nderdi. Bana soracak olursan\u0131z, sonu\u00e7 hi\u00e7 fena olmad\u0131.<\/p>\n

A\u015fa\u011f\u0131da se\u00e7kinin se\u00e7kisi bir grupla bu sonucu siz de de\u011ferlendirebilirsiniz. Tablolara bakarken alt\u0131ndaki oynat\u0131c\u0131n\u0131n “oynat” tu\u015funa basman\u0131z yeterli. E\u011fer bir sorun ya\u015farsan\u0131z bana haber verin, ne yapabiliriz bir bakay\u0131m.<\/p>\n

\"caspar
\nLeonard Cohen – Master Song<\/em><\/a><\/p>\n

Alman Romantik ressam Caspar David Friedrich’in Deniz Kenar\u0131ndaki Ke\u015fi\u015f<\/em> tablosunu \u00e7ok severim. G\u00fczelonlu’da da bu tabloya daha \u00f6nce de\u011finmi\u015ftik<\/a>. Yap\u0131ld\u0131\u011f\u0131 d\u00f6nem (1808), hakk\u0131nda, “… biri bu resme bakt\u0131\u011f\u0131nda, g\u00f6z kapaklar\u0131n\u0131n kesilip al\u0131nd\u0131\u011f\u0131n\u0131 hisseder” yorumu yap\u0131lan tablonun \u015fark\u0131s\u0131 Leonard Cohen’den Master Song<\/em>.<\/p>\n

\"pot The House Of Love – Girl With The Loneliest Eyes<\/em><\/a><\/p>\n

Eserlerinde g\u00fczelli\u011fi ve tutkuyu vurgulamak i\u00e7in s\u0131k s\u0131k g\u00fcl imgesini kullanan Herbert James Draper’\u0131n Viktoryen d\u00f6nemin t\u00fcm g\u00fczelliklerini bar\u0131nd\u0131ran tablosu “Potpori” i\u00e7in Meri\u00e7 The House of Love’dan Girl With The Loneliest Eyes’\u0131 se\u00e7mi\u015f. Bu se\u00e7imi be\u011fendim :)<\/p>\n

\"felix
\nEcho & The Bunnymen – Just A Touch Away<\/em><\/a><\/p>\n

\u0130svi\u00e7reli ressam F\u00e9lix Vallotton’un Tiyatro Salonunda <\/em>tablosunun \u015fark\u0131s\u0131 Just A Touch Away<\/em> oldu. Benim akl\u0131ma gelmezdi ama tablonun \u015fark\u0131s\u0131n\u0131n bu oldu\u011funu okudu\u011fumda \u00e7ok da \u015fa\u015f\u0131rmad\u0131m.<\/p>\n

\"wojciech
\nSerge Gainsbourg – Je Suis Venu Te Dire Que Je M’en Vais<\/em><\/a><\/p>\n

Sizlerle uzun s\u00fcredir eserlerini payla\u015fmak istedi\u011fim ama f\u0131rsat\u0131n\u0131 bulamad\u0131\u011f\u0131m Polonyal\u0131 ressam Wojciech Weiss’in da\u011f\u0131lm\u0131\u015f bu \u00e7ifti i\u00e7in Serge Gainsbourg s\u00f6yl\u00fcyor: “Sana gidiyorum demeye geldim g\u00f6zya\u015flar\u0131n faydas\u0131z”.<\/p>\n

\"edward
\nFrank Zappa – Wind Up Workin’ in A Gas Station<\/em><\/a><\/p>\n

S\u0131rada Edward Hopper’\u0131n \u00fcnl\u00fc tablosu Gas<\/em> var. Bu tablo y\u00fcz\u00fcnden, y\u0131llar boyunca g\u00f6zlerim, tahta kaplamal\u0131 minik benzin istasyonlar\u0131ndaki yelekli ve bittabi kravatl\u0131 adamlar\u0131 bo\u015funa arad\u0131 durdu. Bu kadar Amerikal\u0131 bir tabloya Frank Zappa’n\u0131n Wind Up Workin’ in A Gas Station<\/em>‘\u0131 yak\u0131\u015f\u0131rd\u0131.<\/p>\n

\"gustave
\nCan – She Brings The Rain<\/em><\/a><\/p>\n

Edward Hopper’la yeterince Amerikanla\u015ft\u0131ktan sonra en Frans\u0131zlardan Gustave Caillebotte<\/span>‘la devam edelim. Ressam\u0131n en \u00fcnl\u00fc tablosu Ya\u011fmurlu Bir Paris G\u00fcn\u00fc<\/em>‘ndeki t\u00fcm ayr\u0131nt\u0131lar\u0131 (hatta asimetrikli\u011fini bile) seviyorum. Zaten Caillebotte<\/span>‘un b\u00fct\u00fcn eserlerini gere\u011finden fazla seviyorum. \u00d6yle ki bazen farkl\u0131 platformlarda ressam\u0131n eserlerini payla\u015ft\u0131\u011f\u0131mda umdu\u011fum kadar (b\u00fcy\u00fck umutlar!) \u00e7ok be\u011fenilmezse b\u00fcy\u00fck \u015fa\u015fk\u0131nl\u0131klar (“nas\u0131l be\u011fenmezler?”) ya\u015f\u0131yorum. Ya\u011fmurlu bir Paris g\u00fcn\u00fcne ya\u011fmurlu bir \u015fark\u0131yla cevap gelmi\u015f: Can – She Brings The Rain<\/em>.<\/p>\n

\"Tiham\u00e9r
\nFairport Convention – One Sure Thing<\/em><\/a><\/p>\n

Eserlerini yeniden g\u00f6rmek i\u00e7in Budape\u015fte’ye gitmeyi \u00e7ok istedi\u011fim Macar ressamlardan Tiham\u00e9r Margitay’\u0131n K\u0131skan\u00e7l\u0131k<\/em> tablosunun \u015fark\u0131s\u0131 Fairport Convention’dan One Sure Thing.<\/em><\/p>\n

My man, he doesn’t care for me
\nAnd what he does, he doesn’t do for me
\nAnd when I need something
\nTo him, it doesn’t mean a thing
\nYou know he used to be my one sure thing<\/p>\n

\"ramon
\nTindersticks – Kathleen<\/em><\/a><\/p>\n

\u0130spanyol ressam Ramon Casas’\u0131n kad\u0131n portrelerini farkl\u0131 sebeplerden kendimle \u00f6zde\u015fle\u015ftirebiliyorum. Meri\u00e7, Casas’\u0131n bu g\u00fczel tablosu i\u00e7in \u00e7ok \u00f6zel bir \u015fark\u0131 se\u00e7mi\u015f: Tindersticks – Kathleen.<\/p>\n

\"john
\nNick Cave – Fifteen Feet of Pure White Snow<\/em><\/a><\/p>\n

Listemiz Ramon Casas’la sona erecekken \u0130stanbul’a ya\u011fan ve herkesi \u00e7ok heyecanland\u0131ran kar\u0131n \u015ferefine, John Atkinson Grimshaw’\u0131n Kar ve Sis<\/em> ve bu tablonun \u015fark\u0131s\u0131 Nick Cave’den Fifteen Feet of Pure White Snow<\/em>‘u da buraya ekleyeyim. Bu tablo bana Semih Kaplano\u011flu’nun Yumurtas\u0131n\u0131n a\u00e7\u0131l\u0131\u015f sahnesini an\u0131msat\u0131yor.<\/p>\n

Umar\u0131m be\u011fenmi\u015fsinizdir. Bu sefer be\u011fenilerinizi m\u00fcd\u00fcriyete iletmeniz \u00f6nemli. \u00c7\u00fcnk\u00fc talep olursa devam\u0131 gelebilir.<\/p>\n

2015’in ilk yaz\u0131s\u0131 ne kadar harika oldu, de\u011fil mi? Herkese mutlu y\u0131llar!<\/p>\n","protected":false},"excerpt":{"rendered":"

M\u00fczeleri ya da galerileri dola\u015f\u0131rken e\u011fer kula\u011f\u0131mda kulakl\u0131\u011f\u0131m varsa orada g\u00f6rd\u00fc\u011f\u00fcm eserlerin fon m\u00fczi\u011fi o anda dinledi\u011fim alb\u00fcmler olur. Oysa bazen de bir tabloya bakars\u0131n\u0131z ve akl\u0131n\u0131za birden bir \u015fark\u0131 gelir. Art\u0131k o tablonun \u015fark\u0131s\u0131 bellidir. \u0130\u015fte bug\u00fcn sizi tam da bunu yapt\u0131\u011f\u0131m\u0131z bir oyuna davet edece\u011fim. Bu yaz\u0131 i\u00e7in kendisini Twitter’dan takip edebilece\u011finiz Meri\u00e7‘le i\u015fbirli\u011fi yapt\u0131k. Ben ona sevdi\u011fim tablolardan olu\u015fan bir se\u00e7ki yollad\u0131m. Meri\u00e7 her tablo i\u00e7in akl\u0131na ilk gelen \u015fark\u0131y\u0131 geri g\u00f6nderdi. Bana soracak olursan\u0131z, sonu\u00e7 hi\u00e7 fena olmad\u0131. A\u015fa\u011f\u0131da se\u00e7kinin se\u00e7kisi bir grupla bu sonucu siz de de\u011ferlendirebilirsiniz. Tablolara bakarken alt\u0131ndaki oynat\u0131c\u0131n\u0131n “oynat” tu\u015funa basman\u0131z yeterli. E\u011fer bir sorun ya\u015farsan\u0131z bana haber verin, ne yapabiliriz bir bakay\u0131m. Leonard Cohen – Master Song Alman Romantik ressam Caspar David Friedrich’in Deniz Kenar\u0131ndaki Ke\u015fi\u015f tablosunu \u00e7ok severim. G\u00fczelonlu’da da bu tabloya daha \u00f6nce de\u011finmi\u015ftik. Yap\u0131ld\u0131\u011f\u0131 d\u00f6nem (1808), hakk\u0131nda, “… biri bu resme bakt\u0131\u011f\u0131nda, g\u00f6z kapaklar\u0131n\u0131n kesilip al\u0131nd\u0131\u011f\u0131n\u0131 hisseder” yorumu yap\u0131lan tablonun \u015fark\u0131s\u0131 Leonard Cohen’den Master Song.<\/p>\n","protected":false},"author":3,"featured_media":3168,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[721],"tags":[735,123,728,82,738,730,743,733,727,737,725,729,742,84,724,723,722,80,739,731,736,726,740,741,734,732],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts\/3161"}],"collection":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/comments?post=3161"}],"version-history":[{"count":19,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts\/3161\/revisions"}],"predecessor-version":[{"id":3698,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts\/3161\/revisions\/3698"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/media\/3168"}],"wp:attachment":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/media?parent=3161"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/categories?post=3161"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/tags?post=3161"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}