{"id":3247,"date":"2015-01-23T16:46:52","date_gmt":"2015-01-23T14:46:52","guid":{"rendered":"http:\/\/guzelonlu.com\/blog\/?p=3247"},"modified":"2015-07-10T15:29:39","modified_gmt":"2015-07-10T13:29:39","slug":"gizli-alanlar","status":"publish","type":"post","link":"https:\/\/guzelonlu.com\/blog\/gizli-alanlar\/","title":{"rendered":"Gizli alanlar"},"content":{"rendered":"

\u0130spanyol sanat\u00e7\u0131 Jos\u00e9 Manuel Ballester Gizli Alanlar<\/em> (Espacios Occultos)\u00a0 ismini verdi\u011fi serisinde klasik tablolar\u0131n foto\u011fraflar\u0131n\u0131 \u00e7ekmi\u015f ve dijital ortamda bu tablolardaki insanlar\u0131n hepsini silmi\u015f. B\u00f6ylece resimlerde insan fig\u00fcrleri y\u00fcz\u00fcnden arka planda kalan t\u00fcm gizli alanlar g\u00f6r\u00fcn\u00fcr hale gelmi\u015f. Fikir \u00e7ok orijinal olmasa da ortaya \u00e7\u0131kan sonu\u00e7 bir hayli enteresan ve ilk bak\u0131\u015fta \u00e7arpan cinsten.<\/p>\n

Ballester’in bu \u00e7al\u0131\u015fmalar\u0131yla ilk kez ge\u00e7en sene kar\u015f\u0131la\u015fm\u0131\u015ft\u0131m. Ama o g\u00fcnlerde \u0130nternet’te konuyla ilgili fazla kaynak bulanam\u0131yordu. Bilboa’daki Guggenheim birka\u00e7 eserini sat\u0131n al\u0131nca Ballester de o gizli yerinden \u00e7\u0131kt\u0131 ve \u0130nternet’te “g\u00f6r\u00fcn\u00fcr” oldu.<\/p>\n

Daha fazla uzatmadan sizi sanat\u00e7\u0131n\u0131n Gizli Alanlar<\/em> serisinden \u00f6rneklerle ba\u015fba\u015fa b\u0131rakaca\u011f\u0131m. Sizce en \u00e7arp\u0131c\u0131s\u0131 hangisi? Ben Goya’n\u0131n \u00dc\u00e7 May\u0131s<\/em>‘\u0131 ile Bosch’un D\u00fcnyevi Zevkler Bah\u00e7esi<\/em> aras\u0131nda gidip geliyorum.<\/p>\n

Son Ak\u015fam Yeme\u011fi<\/em> – Leonardo da Vinci, 1498<\/p>\n

\"jose<\/a><\/p>\n

Resim Alegorisi<\/em> – Johannes Vermeer, 1668<\/p>\n

<\/a><\/p>\n

D\u00fcnyevi Zevkler Bah\u00e7esi<\/em> – Hieronymus Bosch, 1490 – 1510<\/p>\n

\"jose<\/a><\/p>\n

Nedimeler<\/em> – Diego Vel\u00e1zquez, 1656<\/p>\n

\"jose<\/a><\/p>\n

Medusa’n\u0131n Sal\u0131<\/em> – Th\u00e9odore G\u00e9ricault, 1819<\/p>\n

\"Ballester<\/a><\/p>\n

\u00c7arm\u0131ha Gerilmi\u015f \u0130sa<\/em> – Diego Vel\u00e1zquez, 1632<\/p>\n

\"jose<\/a><\/p>\n

3 May\u0131s 1808<\/em> – Francisco Goya, 1814<\/p>\n

\"Ballester<\/a><\/p>\n

Ven\u00fcs’\u00fcn Do\u011fu\u015fu<\/em>\u00a0 – Sandro Botticelli, 1486<\/p>\n

\"ballester<\/a><\/p>\n

Guernica<\/em> – Pablo Picasso, 1937<\/p>\n

\"guernica\"<\/a><\/small><\/p>\n

[T\u00fcm g\u00f6rsellerin telif haklar\u0131 Jos\u00e9 Manuel Ballester’a aittir. G\u00f6rseller bilgilendirme ama\u00e7l\u0131 olarak kullan\u0131lm\u0131\u015ft\u0131r.]<\/small><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

\u0130spanyol sanat\u00e7\u0131 Jos\u00e9 Manuel Ballester Gizli Alanlar (Espacios Occultos)\u00a0 ismini verdi\u011fi serisinde klasik tablolar\u0131n foto\u011fraflar\u0131n\u0131 \u00e7ekmi\u015f ve dijital ortamda bu tablolardaki insanlar\u0131n hepsini silmi\u015f. B\u00f6ylece resimlerde insan fig\u00fcrleri y\u00fcz\u00fcnden arka planda kalan t\u00fcm gizli alanlar g\u00f6r\u00fcn\u00fcr hale gelmi\u015f. Fikir \u00e7ok orijinal olmasa da ortaya \u00e7\u0131kan sonu\u00e7 bir hayli enteresan ve ilk bak\u0131\u015fta \u00e7arpan cinsten. Ballester’in bu \u00e7al\u0131\u015fmalar\u0131yla ilk kez ge\u00e7en sene kar\u015f\u0131la\u015fm\u0131\u015ft\u0131m. Ama o g\u00fcnlerde \u0130nternet’te konuyla ilgili fazla kaynak bulanam\u0131yordu. Bilboa’daki Guggenheim birka\u00e7 eserini sat\u0131n al\u0131nca Ballester de o gizli yerinden \u00e7\u0131kt\u0131 ve \u0130nternet’te “g\u00f6r\u00fcn\u00fcr” oldu. Daha fazla uzatmadan sizi sanat\u00e7\u0131n\u0131n Gizli Alanlar serisinden \u00f6rneklerle ba\u015fba\u015fa b\u0131rakaca\u011f\u0131m. Sizce en \u00e7arp\u0131c\u0131s\u0131 hangisi? Ben Goya’n\u0131n \u00dc\u00e7 May\u0131s‘\u0131 ile Bosch’un D\u00fcnyevi Zevkler Bah\u00e7esi aras\u0131nda gidip geliyorum. Son Ak\u015fam Yeme\u011fi – Leonardo da Vinci, 1498<\/p>\n","protected":false},"author":3,"featured_media":3100,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[518,784,788,289,694,12,785,782,793,783,792,794,377,791,786,93,789,795,693,790,787,154],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts\/3247"}],"collection":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/comments?post=3247"}],"version-history":[{"count":2,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts\/3247\/revisions"}],"predecessor-version":[{"id":3551,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/posts\/3247\/revisions\/3551"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/media\/3100"}],"wp:attachment":[{"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/media?parent=3247"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/categories?post=3247"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/guzelonlu.com\/blog\/wp-json\/wp\/v2\/tags?post=3247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}